2009-03-27

Créteil 31 Honors Anna Karina

Here is a photo of Anna Karina. You may not recognize her. Her face is hidden, behind a camera. The camera eye eclipses the wide eyes that have become immortalized. In the interview below, a photographer claims that it was Anna Karina's eyes that set her apart from other models. These eyes which have become Karina's trademark are behind the agency of a lens. As réalisatrice (director), she does the observing, she looks at us. Though we know Anna Karina as J L Godard's muse, some years after she broke up with him she went on to make a movie, Vivre Ensemble (Living Together)in 1972. There is only one copy of the film in the world, and I saw it at Créteil Films de Femmes 31. (13-23 March) at Cinema La Lucarne in Créteil.
The film, like Vivre Sa Vie, (Living "the life") has a tableaux form. It can be seen as a response to Godard's film. It is the story of Julie (Anna Karina), a hippie girl with a lifestyle involving drugs and alcohol and casual sex who enters into a relationship with a teacher, Alain (Michel Lancelot). He quits his job to be with Julie and slowly becomes a part of her world, leaving his business suits and proper manners behind for a new bohemian life. In the process he becomes addicted to drugs and alcohol. Julie's values change when she becomes a mother, but Alain slowly deteriorates, giving private lessons to children while drunk. In Vivre Sa Vie, Godard's Nana says that we are all responsible for our actions. Although her husband tries to blame Julie for his decline in Vivre Ensemble, Karina emphasizes that he makes his own fate as does Julie but is sympathetic to Alain and the existential angst of his life. Set in New York and Paris, there are many enchanting moments that capture the spirit of the 70s with the political activism, flower power and posture of just letting people be. Karina has made a poignant film that is both whimsical and melancholic.
Anna Karina was honored with a retrospective of films at Créteil this year which includes the first one that she made at 14 in Denmark: Pigen og Skoene - the Girl with the Shoes (11', 1959). The director IB Schmedes noticed Anna on the street dancing and singing. The film won a prize at Cannes at 1959 as the best short. Pigen og Skoene features a tall and very mature Anna sporting a pony tail who spots a pair of high heels that she wants to wear on a date. The shoes cause great pain for her feet and make her late. So her comfortable pumps catch up with her so that she can run to meet her boyfriend. In this film, Anna Karina, born Hanne Karin Bayer in Copenhagen Denmark in 1940, shows how she was ready for the camera. In films with Jacques Rivette, George Cukor, Luchino Visconti and J L Godard she shows a sensibility and wit that have made her an art house icon. Anna Karina continues to make films and her latest feature Victoria caught the attention of Korean youth who skipped school to see it where it debuted at the Pusan Film Festival in 2008, the 30th Florence International Women's Film Festival, 2008 and the 31st Créteil Films de Femmes Festival, 2009. Victoria ,
is directed and written by Anna Karina with music by Philippe Katerine. It is an experimental musical road HD video about a mysterious mute woman, Victoria, Louis' boss who gets gigs around Quebec for two musicians in drag, Stanislaus and Jimmy. Victoria's connection with Stanislaus turns out to be karmic. The film is low budget with artful invention and a clever narrative style.

Below:
  • Exclusive interview with Moira Sullivan and Anna Karina at Créteil on Movie Magazine International, April 1, 2009, 9pm PST, 90.3 FM San Francisco, national webcast from April 3-9th.
  • Exclusive interview with Moira Sullivan and Julie Dash at Créteil on Movie Magazine International,March 25, 2009, 9pm PST, 90.3 FM San Francisco, national webcast from March 27 - April 2.


2009-01-20

Obama's and Michelle's Dance

Finally, an inauguration worthy of watching, finally inaugural balls worthy of watching, finally a presidency that commands respect. Finally an African American in the White House. This moment, this dance, this president is the strongest, most dignified and most gifted leader we have had in a long time - and alongside every powerful man, is a powerful woman, and now we have both. A thinking man and a thinking woman. We have waited a long time, for this moment , this dance! But remember Obama is not a messiah and it will take a long time to undue the wreckage of Bush Jr.

For we know that our patchwork heritage is a strength, not a weakness. We are a nation of Christians and Muslims, Jews and Hindus — and non-believers. We are shaped by every language and culture, drawn from every end of this Earth; and because we have tasted the bitter swill of civil war and segregation, and emerged from that dark chapter stronger and more united, we cannot help but believe that the old hatreds shall someday pass; that the lines of tribe shall soon dissolve; that as the world grows smaller, our common humanity shall reveal itself; and that America must play its role in ushering in a new era of peace.
Barack Obama, January 20, 2009.

2009-01-12

Good Gravy for Tina Fey

Its a great year for Tina Fey who reminded everyone at the Golden Globes tonite that the Internet can always cut you down to right size if everything seems to go too well.
And for good luck she told cyber scrooges "babs in la crosse", "cougarletter" and dianefan to "suck it".
This was Tina Fey's night, even if she almost tripped on the red carpet going up for her award. The comedienne who comically brought out the very worst on Sarah Palin was voted best actress in a TV comedy on January 11 by the Hollywood Foreign Press.

2008-12-02

Gus Van Sant Gets Milk Nearly All Right

If Gus Van Sant's new film Milk about the late Harvey Milk had been released before November 4th maybe it might have made a difference towards defeating Proposition 8 which takes away the rights of gays and lesbians to marry in California. Certainly in his lifetime, the late gay supervisor successfully rallied against the Proposition 8 of that time, the Briggs Initiative - Proposition 5 - which would have taken away the rights of lesbians and gays to teach in schools and ANYONE who supported them. This was the time when ex beauty queen Anita Bryant worked to get such an ordinance passed in Dade County Florida. Harvey Milk believed that if you didn’t register to vote you were giving away your rights and he pounded that home at the Civic Center during Gay pride 1978 a high point of the film. I heard Milk and registered for the 1st time after his powerful speech.
Gus Van Sant has done an excellent job of making a completely well crafted movie about the life and times of Harvey Milk who was assassinated along with Mayor George Moscone in San Francisco on November 27th 1978 - and tomorrow it will be exactly 30 years since Dan White, an ex fireman executed these two men in their offices under the influence of Twinkies. The film premiered earlier last month in San Francisco on October 28th and all the actors were on hand with Gus Van Sant to usher in the film at the Castro Theater.
Sean Penn plays Harvey Milk and he is totally convincing in every scene in representing this wonderful and enthusiastic supervisor who knew about people and their needs and how to successfully implement policy by building grass root connections. Harvey Milk energized the gay community and helped make the Castro a booming mecca for gay men. Though lesbians preferred to hang out in the East Bay or in the Mission, according to activist San Francisco educator Sally Gearheart Milk was concerned that lesbians were represented in every issue and brought in Anne Kronenberg ( Alison Pill) to run his campaign. Its hard to not fall in love all over again with Milk and thanks to the efforts of Sean Penn he is made real down to his truly humble happy and hard working persona. Josh Brolin plays Dan White brilliantly, a homicidal man Milk believed was a troubled latent homosexual. Despite his childish excesses Harvey Milk continued to fraternize with White even seconds before he was shot. Less successful in the film is Diego Luna as Milk’s lover Jack Lira. In real life though he was caught up with helping distressed men his long-term relationship with Scott Smith (James Franco) endured even after they went separate ways.
The film is not only the story of Harvey Milk but the galvanization of the gay community in San Francisco and while Milk would have been quick to point out that there are very few lesbians in this film – something that Van Sant seems to miss - he would have been happy to know that things changed during his life for the better. It is not always easy to make an historical film that rings true to life but Milk is one of those films that seems to get it mostly right.

Movie Magazine San Francisco Airdate November 26 2008

2008-11-05

Obamaland USA

San Francisco, November 5th 2008
Its an incredible win for Barack Obama, no, incredible is not the word. Its credible. This victory shows that the old paradigm has shifted because we have evolved. The limited blue state, red state argot created out of the aftermath of the last eight year administration is soon to become obsolete just as other significations seem to have marched on. Remember when a red state was a Marxist state?
The color scheme this time seems to be a purple united states. At least that is how Obama envisions it. His victory speech on election night has to be one of the most powerful he has made to date, and of any politician of recent time for that matter, revealing so much more of his core. Obama is also a writer. Nobel prize recipient Toni Morrison points that out. He writes his own speeches and is not dependent on ghost writers. Clearly he won't be needing them for his inaugural address either. I recall the last inauguration that I watched in transit at Logan Airport in Boston. I was excited about a new time that promised a different kind of change. Poet laureate Dr Maya Angelou afterwards called Bill Clinton the first "black" president. Barack Obama is the real first. But he is far more than that. His refreshing ideas are what make him stand out more than anything, as well as his cool and refusal to stoop to manipulation and bating. He also picks his own staff and his running mate. He doesn't have to stiff it to anyone like the McCain camp who is already hanging out Governor Palin. As if to say that if McCain lost it was because of a woman. Obama shows every sign, so far, of making his own decisions and being comfortable in the driver's seat.
But now we come to another issue on election day that did not go so well. California Proposition 8, a deftly worded bigoted Mormon funded proposal to ban gay marriage passed by a small majority (5000 votes). One of the most expensive campaigns on a single issue in US history. How can it be, and of course the answer is inherent in the question, that we can embrace change on so much but not on the subject of marriage rights for lesbians and gays? The time has not come? What comparisons can we make here? Repealing Roe/Wade is not going to happen in this presidency, but perhaps gay marriage will not either. Civil rights for all is the paradigm waiting to shift, and perhaps San Francisco Mayor Gavin Newsom is the person that will make that happen as he steps into the national arena. Could he be the "first gay mayor" for making it known that this was a real election day defeat in a blue state that is far from the color purple.

2008-10-21

Journalist Ulrike Meinhof: From Theory to Practice


Veteran Swedish journalist Steve Sem-Sandberg takes issue with Uli Edel's film The Baader Meinhof Complex (Germany 2008)
based on Stefan Aust's novel. He believes there is insufficient background provided for how Ulrike Meinhof turned from political analysis to political activism and violence.
Sem-Sandberg's study of Meinhof - Theres (1996) discusses in depth how Ulrike Meinhof was working on a screenplay about young women in the
Eichenhof correctional institution called Bambule, a film that was silenced when Meinhof became identified as a member of the 1970's terrorist group RAF - Rote Armee Fraktion (Red Army Faction). Bambule is briefly mentioned in Edel's film. Sem-Sandberg argues that for Meinhof this institution where women were repressed and silenced at an early age was a microcosm of the new Germany, a politically repressive machinery built out of the wreckage of Nazi Germany, transformed into a modern police state which violated civil liberties. Meinhof not only had an intellectual understanding of the fascist nature of Germany, claims Sem-Sandberg, she had witnessed it first hand at Eichenhof and in the gender hierachy of society. Bambule allowed her to engage in political action and stop writing for the cultural political journal konkret where her estranged husband Klaus Rainer Röhl served as editor. It is not easy to understand how Ulrike Meinhof became one of the most wanted criminals in modern German history but Sem-Sandberg claims its out there waiting to be re-discovered.

The Baader Meinhof Complex suggests the genesis of Meinhof's activism came from the public attention she garnished covering the pompous state visit of the Shah of Iran and his wife on June 2 1967, representing a country of vast illiteracy and poverty (the film's introduction). Though Iran was far away from Eichenhof, she witnessed the protests of young Germans against this visit who were beaten and shot. Here it is implied that Meinhof is only a step away from acting on her ideals.
Two years later Meinhof is interviewed (above), a single mother of two young girls. She discusses oppression in the home where women are caregivers who serve their husbands and children. She is aware that a major source of conflict for women is how to combine their political life with a personal life. She also stressed how important it was to maintain a power balance at home - something she had a hard time experiencing in her marriage
. On a small scale beginning in the home, she provides an astute and insightful analysis on the politics of repression based on personal experience as a young woman.

In The Baader Meinhof Complex,
Ulrike Meinhof (Martina Gedeck) has a privileged position as a journalist, a position that she uses to later help free Andreas Baader (Moritz Bleibtreu) from prison in 1970. She has him transfered to a building with minimum security under the pretext of conducting an interview. The rescue plan includes having young women from Eichenhof gain access to the building and later let Gudrun Esslin (Johanna Wokalek) and Holger Meins (Stip Erceg) into the building. When the situation becomes violent and guards are shot, Ulrike Meinhof decides to escape through the window with the rest of the group - a pivotal move into a world of armed violence and political analysis and the beginning of the Baader Meinhof group. Sem-Sandberg claims that this event is shown without context and trivialized in Edel's film just as Bambule.

The violent story of the Baader Meinhof group weighs heavily in the film. Through a montage of historical footage and re-enacted events such as the shooting of civilians in Vietnam, Uli Edel shows the power imbalance and oppression in society that creates terrorism. Horst Herold (Bruno Ganz), the head of the Bundeskriminalamt (German bureau of investigation) tries to piece together why young people are becoming terrorists in Germany, naïvely intellectualizing the violence - a phenomena that Meinhof had spent years studying before becoming an activist. It is Herold who lights up like a Christmas tree when he connects the protests over US military imperialism in Vietnam, the generous supply o f US weapons to Israel, and the search for oil in the Middle East - to the bombings and gun power of the RAF. As military police he knows that terrorism is a reflection of power imbalance and his strategy is to make it larger and crank up the volume full blast to squash any resistance, thereby creating an über police state with tacit support of the German population. In response Ulrike Meinhof quotes Mao who states that a clear line of distinction is created when the enemy tries to squelch the truth by blacklisting the protest(ers). When she is incarcerated and isolated at Köln-Ossendorf she is aware of the effect this has on the psyche. When she later interacts with Gudrun Esslin at Stammheim to get their case prepared for trial they turn on each other. But although Esslin was considered the leader of the RAF it is actually Meinhof's analysis of repressive political systems that sets them apart from senseless young hooligans, and which motivates their cause and conviction. Esslin no longer can make sense of Meinhof's analyses that have served the RAP before their incarceration. She insists that RAF take full responsibility for their actions - and that a rescue mission be set into operation to get them out.

The Baader Meinhof Complex is Germany's contribution to the Best Foreign Language film category for this year's Academy Awards. It is a riveting chronicle of events from June 2 1976 to several bank robberies and bombings and the incarceration of several members of the RAF. Events leading up to the trial of astonishing legal impropriety and the presumed execution of Meinhof, Esslin and Baader reveals a bungling intelligence apparatus gone haywire that just wants to make it go away, anyway. There has been a distinct glamourization of violence and sexuality up until this point. The Baader Meinhof Complex is after all aimed at young people who weren't born at the time, and older people who were young at the time. At Stammheim it stops. Gone are the devil may care rides on the freeway at top speed, the spirit of collective action and the intoxicating suspense and high of several planned attacks that consume the film almost until the end. Yet the incarceration of the RAF leaders encouraged more young people to continue their cause. The execution of members of the Israeli Olympic athletes in 1972 is linked to the RAF, further evidence of the proverb that if you cut off the head of a dragon more will grow in its place. Bob Dylan's song at the end that "the answer is blowing in the wind" describes how little Germany understood its youth and their rebellion. The Baader Meinhof Complex articulates the mind and muscle behind political violence and it resonates deeply for those trying to make sense of terrorism today.

2008-10-07

Lesbos Remains Lesbos

The transliteration of the name of the Greek island Lesbos (Λέσβος) in the northeastern Aegean is Lesvos. The classic Greek letter [β -beta] is pronounced [v-vita] in modern Greek. The inhabitants of Lesvos are Lesvians and it is not really accurate to refer to them as Lesbians because of a Beta/Vita confusion. To get around this some islanders call the island Mytilini, the name of the capital city, and are sensitive about being associated with Lesbians who are gay women. In fact Dimitris Lambrou, the Greek editor of the right wing journal Davlos brought the issue to court in Athens to forbid the use of the name Lesbian by gay women claiming that Lesvians have the exclusive right to it. The Athens court ruled against the measure on July 18th and fined Lambrou $366 dollars, a token sum considering the ridulous fuss. For it is not only the use of the word lesbian that Lambrou wants to limit to the residents of Lesbos but even who is or isn't a lesbian - such as the poet Sappho who was born on the island.

The island of Lesbos was named in antiquity after the Thessalian hero Lesbos, husband of Methymne, daughter of Makar. The name Lesbos is thought to come from the poet Sappho who was born on the island in 7 BC and who wrote romantic poetry to women. Some islanders strongly disagree that she was a lesbian and there are rumors that lesbians who visit the island to honor Sappho scare away tourists. But it seems to be the consensus of most islanders that tourism is on the increase because of international lesbians.

Don't these people have something better to do with their time? Whether Sappho was a Lesbian or just a Lesvian? Whether its Lesbos or Lesvos ? For example helping the wildlife (Lesbian spelled with a B) - or birdwatching on Lesvos spelled with a V when the birds first land after winter migration.

Note: I have regularly visited Lesb/vos for the past 12 years and have made films on the island which have been shown in Sweden, Greece and France.