Farewell Rita Chan!
There is no one that I have met that so much embodies the North American spirit than you: fun-loving and compassionate, generous and hard-working, courageous and outrageous. You had all these wonderful qualities in spades. And your light never went out. You were a constant fountain of vitality giving to Sweden your gifts, and wherever you went in the world. As you became more and more Swedish, you gave the culture a polish and shine that we will all miss. A wonderful and enchanting light has gone out, but your radiance will always be here in this country.
I am so honored to have you as a friend since the 1980’s and to keep in touch with you through the years on our journeys. I know we missed our roots in the States but we both loved Sweden and Swedish women and that is pretty close to heaven, I think we both agreed. We made this wonderful journey to Stockholm at almost the same time and stuck together through the years. You made it a point to remember my birthday and were there for many of my important life rituals.
So sister countrywoman from Sweden, I salute you, and will always. Thanks for all your networking and brainstorming and support through the years. Thanks for promoting lesbian culture, bringing Holly Near to Sweden, and all your activism for immigrant women in Sweden and the LGBT world. Our film made ten years ago is a living testimony of your humor, your vitality, and your compassion for women. I have it waiting to show you, as you requested last time we met.
You will be deeply missed Rainy. I am so grateful for our time together and in light years, I am moments behind you.
Moira, San Francisco, CALIFORNIA
My thoughts and prayers to Rita’s family: Petra and family, Kicki and Mette and Yvonne.
Tribute to Rita "Rainy" Creighton, September 21, 2007 at Nalen, Stockholm, SWEDEN.
Jodie Foster is Back!
Erika Bain and her boyfriend Naveen Andrews played by David Kirmani --- take their dog for a walk in the park at night. What’s the harm? There are people sitting on park benches. Well, three street thugs decide to take their dog, brutally assaulting Erika and beating her boyfriend to death. As they assault the young couple the men film the attack. Erika wakes up in intensive care after spending weeks in a coma, thereby missing the funeral of her boyfriend. She works as a radio correspondent and she does a “different” kind of show—socially relevant programs. Her special reports bring her to the attention of Detective Mercer (Terence Howard) who remembers her assault and who is investigating a parallel murder. Erika suffers post-traumatic stress disorder and takes pills for her nerves. But one day she decides she can’t live in fear. And she decides she can’t wait 30 days to get a handgun. She needs it now and badly and in a serious of random crimes she personally observes, she is let into an existence as a vigilante.
The Brave One is a female revenge vehicle and no one is more qualified than Foster. She been pimped out in Taxi Driver, sexually assaulted in The Accused , set up to weasel out information from Hannibal Lector in Silence of the Lambs and go mano e mano with a serial murderer. But after all that, it all gets kind of tame for Foster in pictures. She’s in a western with Richard Geer and a period piece in Siam, but starts up her own production company.
Then the engines seem to roar again with the kind of visceral raw toughness that Foster has in spades. One project is with Mathieu Kassovitz to present La Haine (Hatred) about gang violence in the Parisian suburbs with yet another reference to Travis Bickle and Taxi Driver; she’s locked in a safe house in Panic Room; her daughter is abducted in Flight Plan. The woman has had it all happen to her. It’s all about defending her integrity and her right to be safe. The message of this film comes from post 9/11 New York, and it’s a grim tale about payback and justice. Erika manages to elude the police and everything thinks she’s a guy, but soon the picture starts to flesh itself out.
Death comes unexpectedly and leaves a hole in her heart. Erika needs to reinvent herself she has become another person shaken by senseless violence. Her vengeance becomes a way out and the message is not pretty.
Neil Jordan has directed The Crying Game and Interview with a Vampire. He is fascinated with American violence, as many Europeans who live in relatively safe ethnically homogenous cultures with social welfare programs seem to be. It’s a fascinating subject for the movies, and New York violence is easy to sell. The style for The Brave One is over the top: Both the camerawork and editing convey the confusion and disorder of chaos. Sarah McLaughlin is not a good choice to deliver the film theme, but the song does make it into a love story and tempers the violence. Ironically the Dixie Chicks come up in the film as being too tame for this city. But certainly not Jodie Foster.Go to "Listening Room" started September 22, 2007 at Movie Magazine International for a broadcast based on this review.