Tieing the Knot in San Francisco after 55 years, Del Martin and Phyllis Lyon

"On June 16, 2008 lesbian rights pioneers Del Martin and Phyllis Lyon were married in the first same-sex marriage ceremony since the California Supreme Court ruled in May that it was unconstitutional for the state to deny the right to marry to gay or lesbian couples".

This video of the wedding by Academy Award winning documentary filmmaker Debra Chasnoff shows the ceremony officiating by San Francisco Mayor Gavin Newsom. Phyllis Lyon died only months after the wedding.
“Registered partnership” - not marriage - has been legal in Sweden since 1995 and exists in several countries today. The clinical phrasing makes it easy to create and dissolve partnerships, like registering a business. The first partnerships were often created as expressions of political victory – a milestone for so-called “equal protection under the law”, but which does not come close to the meaning of honor and commitment in marriage. This was a hard earned victory in California shot down in 2004 and which still risks extinction on the ballot in November 2008. Massachusetts paved the way in the USA to make it happen. Hopefully one day it will become Federal law and we can sponsor our partners wherever they reside. There are seven “nations” in the world today that acknowledge marriage including Massachusetts and California. The right to marry should be a fundamental right and certainly is embodied in what is meant by “life, liberty and the pursuit of happiness” in the Declaration of Independence. Neither of the Presidential candidates sanction marriage. Nor did Hillary (or Bill) Clinton. Certainly Del Martin and Phyllis Lyon showed the world love and endurance for 55 years. And as more “nations” legalize marriage let these two women’s love be a shining beacon. San Francisco Mayor Gavin Newsom is one of the most courageous and forward thinking politicians we have today. The words he read for Del and Phyllis about marriage express that it is something that should be carefully considered. For sure this is what these two lesbian pioneers did and they waited over two generations for the right to legally marry.

Palin for President? OMG!

There wouldn't be much point in spotlighting women in the media if a few moments weren't spent on Sarah Palin, much as I dislike having to do it. The woman N.O.W will not endorse, the woman that is a Vice Presidential candidate to a Presidential candidate that will slash all federal spending except to veterans and troops overseas. The woman who said " bet they're sorry now" to the Democrats for NOT choosing a woman, i.e. Hillary Clinton.
This election was so clearly Hillary Clintons' but maybe the goofuses in the Republican party headquarters who couldn't read the signals correctly put just any woman on the ticket. Hillary Clinton was often the brunt of jokes about her gender, and Sarah Palin is no different. But while the arguments leveled by Clinton had foresight, Palin seems to be winging it alone, hit or miss, mostly miss on a variety of topics that makes it clear that any old woman isn't the same as someone who knows what she is doing. A Christian right candidate with a ready made constituency that opposes Roe Wade, evolution and stem cell research is the last thing we need. And if the senior McCain were to pass on, "bet we'll be sorry now".

These positions were expressed by Palin in speeches during the past few years:

• Rejected sympathy for Down's Syndrome son, as gift from God. (Aug 2008)
• Opposes embryonic stem cell research. (Aug 2008)
• Only exception for abortion is if mother's life would end. (Jul 2006)
• Opposes explicit sex-education programs. (Jul 2006
• $7 billion savings plan for education & transportation. (Dec 2007)
• Marriage only be between and man and a woman. (Nov 2006)
• No spousal benefits for same-sex couples. (Jul 2006)
• Teach creationism alongside evolution in schools. (Aug 2008)
• Pledge of Allegiance with 'Under God' is good enough. (Jul 2006)
• Global warming affects Alaska, but is not man-made. (Aug 2008)
• Hunts as much as she can; freezer-full of wild game. (Aug 2008)
• Health care must be market-and business-driven. (Jan 2008)
• Visiting injured soldiers in Germany was trip of a lifetime. (Sep 2008)
• Energy is a foundation of national security. (Sep 2008)
• Miss Congeniality in statewide beauty pageant in 1984. (Aug 2008)

By far the biggest blunder is illustrated in the latest edition of The New Yorker: since Russia is within a bird's eye view of Alaska Palin feels she has qualified foreign policy experience. This may only amount to cooperating on trading missions across the border - such as exchanging wild game or whatever but the claim will land her in the Idiot Hall of Fame. Too bad she is a woman. It makes it worse. It may be true that dumb politicians resonate with voters such as George Bush Jr, and maybe its just a ploy to play dumb. But stupid is as stupid does.
Let's not forget George Jr reading a book upside down at a school for young children, or appearing on camera like a deer in highlights when told about the WTC on September 11th.
There is something remarkably similar about the recent utterances of Sarah Palin. Aren't they enough of a red flag? No wonder Obama wants to target funding for early education.
Katie Couric's soon to be legendary scoop with the "executive of" the state of Alaska reveals a riled up often incoherent and bumbling fool at work.
I sincerely feel for Sarah Palin, I truly do because she is doing the best she can, the best she thinks she can, though she could do far better if she were another person altogether, which she isn't.
Fifteen hundred women in Anchorage Alaska aren't particularly happy with the "executive of" and protested her nomination two hours after it was made, an event nowhere in the media. And remember the woman mysteriously escorted out during the nomination?

Truly women don't vote for a woman just because she is a woman. Are we learning yet? At least Sarah Palin should know something more about politics than being a poor Hillary imitation for Vietnam war veteran John McCain.

Tilda Swinton, Isaac Julien and Derek Jarman

On the closing day of San Francisco Pride, a day full of a grand parade through the streets of San Francisco one of the most brilliant films of the Frameline LGBT Film Festival, Derek screened to an audience at the Castro Theater. The artistic director of the festival Michael Lumpkin had wanted to show one of Jarman's films, which were impossible to find in a 35mm print in the USA. That is something to take note of since Derek Jarman and his films reminds us of a time in British filmmaking that no longer exists, a combination of the political, the artistic and, with a focus on gay sexuality in several complex films such as Sebastiane (1976) and Caravaggio (1986). Jarman served as production designer for Ken Russel's fascinating treatise on sexuality and the repressed clergy - The Devils. (1970). And without Jarman, Tilda Swinton said her industry career would never have taken off. She was asked to deliver a lecture on Jarman, a lecture that turned into a documentary film that she produced and wrote and which was beautifully directed by Isaac Julien.
Swinton is featured in the documentary, staring at times straight into the camera as she did in Sally Potter's Orlando. "Here I am, and this is what I believe. So what do you think? Her and Julien's appearance in the film personalizes it and is never out of place. It allows for the material to update, and for the memorial to take place. And when we look at the images, we do miss Derek Jarman.
Jarman was productive at a time before Margaret Thatcher and while the lucrative funding the British Film Institute gave to artists to develop their own voice in cinema was intact. Looking at some of his work it is with melancholy that one notes that this kind of film is not being made, this kind of film is not screened at Frameline, for after all Frameline simply culls from what is out there and is a showcase of the latest in LGBT cinema. Jarman marched in gay parades, just as we did today and when diagnosed with HIV gave a voice to his illness. Recall the years when Pride parades were virtually non existent in the 80's. His last film Blue with a voice over on his illness set to a blue screen was made just before he died in 1994.
Derek is an outstanding collage of the work of Jarman, his films, music videos, and a lengthy interview with Colin McCabe in 1990 at his home Prospect Cottage in Dungeness which serves as a voice over to his images. His artistic sensibility is so incredibly rich and dynamic that it is impossible to not be inspired by his work and appreciate his contributions to cinema, art and set design. Swinton and Julien's homage hits home.

Barbara Hammer is the Reigning Lesbian Filmmaker Par Excellence

You could say that Barbara Hammer has usually been involved in some kind of corporeal cinema, in one way or another. Her early films on lesbians go where no other filmmaker dared to go in exploring sexuality. Not only among the young and beautiful but the aging. She has successfully used found footage in her films, to bring to public attention old films about lesbian sexuality and presented to us closeted lesbian histories. She has used x-ray photography to show us the insides, and now the outsides in her latest film presented for the first audience ever at the Frameline LGBT Film Festival in San Francisco, A Horse is not a Metaphor. Intriguing title. I would actually say that for this film, a horse is a metaphor. But maybe that is an implied intention. Barbara is probably one of the most provocative and youthful directors anywhere. The film uses old rodeo footage, with young cowgirls wrestling with the cattle, as she so clearly seems to do when presented with her diagnosis of uterine cancer. There is also lots of footage of Barbara on a horse, and one horse in particular with eye and groin cancer, who after a sturdy diet begins to recover. This film is about Barbara's bout with cancer, which she successfully battled and is in over 18 month's remission. But it is also about reclaiming power, and the images of horses, shiny and sleek, with life running through their magnificent bodies evokes this. It takes courage and conviction to bring a film so personal and intimate to the screen. We see Barbara in the hospital, Barbara with short hair after chemotherapy, Barbara's scar from surgery, Barbara naked walking through the forest. Powerful Barbara Hammer who is not afraid to have us look, empathize and learn. That gives us life on life's terms.

Of all the films at Frameline, an evening with experimental work is a night to remember. From a woman who learned how to make movies at San Francisco State. And when she went to school she saw the films of only one woman: Maya Deren: the filmmaker that chose to make experimental, personal films.
Its time to wash away the made for TV scripts, the lesbian love that is unrequited, and the women who kills themselves because they can not have the one they love. There were several films this year at Frameline. Are we learning yet? Are these retrograde themes harking back to Sandy Dennis being felled by a tree in The Fox or Susannah York being forced to eat Beril Reid's cigar in The Killing of Sister George a metaphor for something that is happening to lesbian identity today? Even if so, Barbara makes us remember that its beautiful to be a lesbian at any age, and that the experimental format is a powerful tool of expression.
Here is a film that uses metaphor, to show an incredible joy for life despite a life threatening experience at the risk of alienating the public. "How has this film been received?", asked someone in the audience. "I don't know, you are the first audience", answered Barbara. As one of the first spectators I can only ask, what would the world be without Barbara Hammer? She has brought to lesbian filmmaking a uniqueness, a passion, a daring challenge to see and experience, sit and squirm , feel uncomfortable and provoked, and afterwards feel that you have gone through an ordeal into visionary and auditory realms that have made you richer for the experience. The choice of music by Meredith Monk, another incredible veteran artist , empowered the film and sent it soaring. "I always wanted to ride a horse", says Barbara, who took to the saddle faced with the acknowledgement that life is precious and can be cut short, so you better darn well enjoy all you can.

4th Queer Women of Color Film Festival in San Francisco

The Queer Women of Color Film Festival is probably one of the most unique festivals for queer women out there. Here we can definitely take note of the new directions of filmmaking each year as each filmmaker comes to terms with the latest in technology for low budget production. Out of a series of scripts and a desire to make movies, several women tell their story with passion, dedication and purpose. The event is free and held at the Brava Theater in the Mission district of San Francisco. Directors Madeline Lim and T Kebo Drew run an excellent venue. In essence, the festival is a training ground for filmmakers, and once the film wraps it becomes part of the festival. In QWOCMAP's training program filmmakers are on a strict schedule to produce an intimate and relevant project to their own lives. They are guided by the award winning filmmaker Lim, and act and serve as crew in each other's films. Community partners include Pink and White Productions, which helped to host the Sunday afternoon "Sexually Subversive" centerpiece screening, and Trikone , a non profit organisation for lesbian, gay, bisexual, and transgender (LGBT) people of South Asian descent. Sponsors include Linda Harris of the Harrison Team, a real estate agency which services the LGBT community. Harris is on the board of directors for Frameline.
There is a trained staff of volunteers that usher in the block long length of women, and if you are on time there is no problem with a seat. The tradition of the festival is to serve food, also free, to make everyone feel at home. The feedback that each filmmaker gets from her film is enough to keep the images rolling for a long time, for the crowd is generous and knows what it likes.
To celebrate this event, a representative of Mayor Gavin Newsom spoke about how the festival is appreciated and honored by the City of San Francisco. With the new passage of legalized marriage in California and a conservative backlash already in gear to try to defeat the measure in November, strong community action is underway to get people out to vote. According to the representative, "let's get the measure passed, then worry about deconstructing the institution of marriage". Right on. Activism is a key component to the Queer Women of Color Festival (QWOCMAP), with leaflets in the vestibule for signatures to Mayor Newsom, "I support having a city owned Asian Pacific Islander Cultural Center in San Francisco", and to Governor Schwarzenegger, " I recently attended the QWOCMAP Film Festival that was part of the Unisted States of Asian America Festival and National Queer Arts Festival". In California, public support of the arts is 3 cents per person, whereas the national average is one dollar.

This year Pratibha Parmar was the special invited guest to the festival, a British Indian who was born in Kenya and grew up in London in a working class neighborhood. She never went to film school but has made several films, one of which won the public prize for the best film at the Créteil International Women's Film Festival - Khush, a film about gay and lesbians in South Asia, and those interviewed came out for the first time . "Khush" means "ecstatic pleasure" in Urdu.

Parmar was interviewed by the award-winning journalist Helen Zia, author of Asian American Dreams: The Emergence of an American People. Two other films were shown in a retrospective of Parmar's work: Bhangra Jig and Wavelengths. The films are archived by Women Make Movies in New York, an organization that rents films to schools and universities. Parmar noted the quality of the films on video and is planning on a DVD release of her work in the near future. Of particular interest is Parmar's latest film Nina's Heavenly Delight which has won several top awards at festivals in Fresno, Tampa and the Cineffable Lesbian Film Festival in Paris. Parmar plans to spend more time in the Bay Area with her partner of 16 years.

Programs were divided into three themes this year in addition to the special Sunday screening "Sexually Subversive": "Kindred Spirits", films about family relations, and "Delectably Yours", a pageant of films on food.
Highlights of some of the films this year include: Labels Are Forever (Jinky de Rivera, 2008).The opening titles reads like the introduction to Star Wars in this humorous saga about 007 Secret Agent J. Wong. Wong is sent by her boss to investigate how labels are used by a group of women only to discover that the assignment is bogus.

Luna Han takes a look at The Cock: Lesbian Owned & Operated (2008).

Han was also the better half in One in a Million by Monifa Porter (2008) a playful journey into the twists and turns of a lesbian fertility rite. If you click here you can see the festival's secret agent on duty.

Renacimiento de una bruja (Zemaya, 2008) is a spiritual oddyssey by a woman with the earth and her ancestors.

Queering My Mother (Lourdes Rivas, 2007) tells the story of mother that polices her daughter too much especially when she has met that special woman. As the title suggests, the evolution of awareness by the filmmaker's mother is at stake, and she does it in style.
Jagadamba, Mother of the Universe (Amber Field, 2008) is about a young South Korean woman comes to terms with her adoption in the USA while also questioning celebrities such as Madonna and Angelina Jolie who have adopted children from developing nations to give them better lives. The evolution of the young woman is traced as she comes to terms with being a lesbian and also a martial artist.

In Too Much Plain (Caroline Le, 2008) A young woman tries to figure out what's wrong with all her girlfriends with her best friend, only to discover that its because she wants to be more than best friends with her confidant.

A handful of the films were also shown at the Frameline32 LGBT Film Festival June 19-29 in a section called "Magical Promise", which is precisely what you can say about so many gifted directors at QWOCMAP.

61st Cannes Film Festival

The 61st Cannes Film Festival ended on May 25 after a 10 day run, the festival which is one of the most prestigious and which is known for screening artistic world class films. What was really refreshing about this years Cannes was the choice of the jury president, Mr. Sean Pean, a man who has worked hard for films with social issues and who has really come into his own. Other jury members included Natalie Portman and Alfonso Cuaron.

The Palme d'Or this year when to The Class by Laurent Cantet and was presented by Robert De Niro. This is the first time a French film won the top prize in 21 years. The film is about a teacher who tries to prepare a junior high school class in a rough neighborhood in Paris for the future, though the students challenge the way that he goes about it. The story is autobiographical and the teacher, François Bégaudeau, plays himself. The jury chose this film unanimously and Sean Penn said it is the young people of today who have the responsibility for the future of the planet.

Two veterans received the special Prize of the 61st Festival de Cannes the so-called ex-aequo awards.

Catherine Deneuve for A Christmas Tale by Arnaud DESPLECHIN also starring the French-Italian actress Chiara Mastroianni, the daughter of Deneuve and Marcello Mastroianni.

And Clint EASTWOOD won for The Changeling, the story of a mother played by Angela Jolie whose kidnapped son is returned but who knows it is not her son.

The Award for the Best Director went to Nuri Bilge CEYLAN for Three Monkeys, a film that like its title deals with corruption in a family that doesn’t want to see hear or speak the truth.

At the press conference for the jury it was noted that the two acting awards went to films with social relevance:

Benicio Del Toro was awarded for his performance in Che, by Steven SODERBERGH, the story of Che Guevara, the Argentinean doctor that sailed to Cuba to help bring about the downfall of Batista together with Fidel Castro. Soderbergh understands that the length all of 267 minutes, may scare off the average audience and his hope is that it can be shown in installments.

Sandra Corveloni won the other award for her role in LINHA DE PASSE by Walter SALLES, a film about the hopeless conditions for four brothers in Sao Paolo who struggle to avoid falling into a life of crime. Corveloni plays their mother the housemaid Clueza,

Other veterans who have been awarded at Cannes previously were Jean-Pierre et Luc DARDENNE who won the Best Screenplay award for Lorna’s Silence the story of an Albanian woman who acquires Belgian citizenship by marrying a Russian Mafioso.

The feeling this year was that there was a lot of good films, and not enough prizes to reward all of the good work. This was not a year when a film like The Brown Bunny, by Bad Boy Vincent GALLO stood among the talent. And Sean Penn brought a quality to the festival that will make the 61^st edition stand out for a while, with a French film at the top.

Broadcast on Movie Magazine International, San Francisco, May 26, 2008.

Hollywood, A Country for Old Men and Foreigners

Postscript: Oscars Numero 80
The anticipation is always higher than what the Oscars can deliver. I think Jon Stewart's opening line says it all: "No Country for Old Men, Let There Be Blood, Sweeney Todd, The Demon Barber?
Does Hollywood need a hug? Thank god for teenage pregnancy."
Maybe Hollywood does and maybe it doesn't. But the Oscars might need an audience, and the 80th edition had one of the lowest turnouts ever.
Word is out that at least in the USA viewing was low because not enough Americans were nominated! Looking at the actor categories its pretty awesome to note that the winners are all from outside the JUESSAY. Both Tilda and Marion gave kudos to the men that make them rock: Olivier Dahan and George Clooney and then Javier Bardem thanked his mother and Daniel Day Lewis his girfriend.
Joel Cohen revealed that what they do in No Country for Old Men is no different from their first film, Henry Kissinger on the Move, shot in Super 8. I hope that my Super 8 film on The Underwater Real Estate Twins and a human ashtray will catapult me to Oscar glory. It is really the same, yes it is. Time will tell.
The Oscars could be significantly shortened by taking out the music numbers and stop mentioning "Jack" all the time. As a role model it is unfortunate that he is the leading veteran in the house. Could we say his appearance with Boris Karloff in The Terror (1963) is actually no different from his appearance at the Oscars?
Indeed, Hollywood seems to really be a country for old men, and the men who make the women rock. And the men who decided to put them all in one arm dresses this year.
One refreshing addition to this Oscars was the thank you speech by Cynthia Wade, winner of the best short. She directed Freeheld, the true story of the terminally ill Lieutenant Laurel Hester who wanted to leave her pension benefits to her life partner - Stacie.
(PS 35,000 viewers from Sweden watched the ceremony on TV9- 45,000 average in the Red Carpet - acknowledged during the pre-event for sending email- and up from 20,000 viewers last year. Population of Sweden, 9 million.