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ScienTOMology

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"Some people, well, can't handle Scientology. Well then fuck you. Fuck you period". Tom Cruise, Scientologist One such person was Scarlet Johansson who was proselytized by Cruise and shortly after dropped out of Mission Impossible. As converts are easily found in the blockbusters roll lists, next stop, the set of Batman to meet Katie Holmes, now wife. "Writing for a penny a word is ridiculous. If a man really wants to make a million dollars, the best way would be to start his own religion". L. Ron Hubbard, founder of Scientology That's great if you got your interview with Tom after he was was squirted by water at the War of the World publicity tour two years ago. Like his films, his statements about Scientology are very much in the public domain. Like other celebrity Scientologists- -do they all have bad PR agents? Perhaps just Scientologist advisors. Tom's religion may seem to have very little to do with his acting career but its one of the factors...

The 2006 Cannes Film Festival Awards

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The Wind That Shakes the Barley , Ken Loach Palme d'Or. This year the Palme d'or winner film is about the Irish struggle for independence led by the IRA against the British Black and Tan soldiers. The story is set in the early 1920s. According to Loach upon accepting his award, the film deals with "the British confronting their imperialist history". It can also be seen as an allegory for the current situation in Iraq. The Cannes selection skillfully blends art with politics and the awards are known for profiling superior films that reveal the complexities of today's issues on screen. Loach is one of Europe's leading auteurs and the award was well deserved. His films are frequently selected to Cannes, and the jury decision to award the film the Palme d'Or was unanimous since the first time they saw the film early in the week. According to Helena Bonham Carter: " Ken Loach's film came very early on and that absolutely shattered and broke, so intense...

Cannes Gives Andrea Arnold Special Jury Prize

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Andrea Arnold, the UK director acclaimed for her innovative Oscar winning short Wasp , won the Cannes jury over and received a special prize for The Red Road , a film about a woman who works for the Glasgow council closed circuit television and one day notices a man from her past. The Red Road is the first of three films in a dogme like conception called Advance Party. The other segments are scheduled to be directed by two other helmers -Morag McKinnon and Mikkel Norgaard who will be using the same characters and also set in Scotland. The award was announced at the closing ceremonies of the Cannes Film Festival this evening (28 May) . Pedro Almodovár won the best screenplay award for Volver . The Spanish director is claimed to have revitalized cinema in Spain after Franco primarily with gender benders. The ensemble cast of the film won the best actress award: Penélope Cruz, Carmen Maura, Lola Dueñas, Chus Lampreave, Yohana Cobo and Blanca Portillo, presented by French actor Jean Roche...

The Sacred Feminine in Cannes

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There may not have been much to chew on in Ron Howard’s The Da Vinci Code but there are stronger signs of female power at Cannes making this festival one of the best. First of all there is the veteran actor- the magnifique Gena Rowlands featured in Paris, Je T'Aime in Un Certain Regard and who will be giving a Master Class. Almost everything that comes out of the mouth of this veteran actor is inspirational and provocative: "We actors do not need to die to be reincarnated, we for that is what we do each and every day. But what freedom! We all have thousands of characters within us. Only actors and madmen (whom we are often taken for) can give them expression and body, and defend them. With complete impunity". Rowlands remarked how rewarding it was to work on Paris, Je T'Aime, a film made by 18 d irectors about the arrondissement in Paris they love, especially because of the integration of age spans. We need to know that love exists, she remarked about the role sh...

Leonardo Who ? or Symbols of the Sacred Feminine

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I missed the frenzy around Dan Brown's best seller last year, The Da Vinci Code recommended by a respected Zen Buddhist teacher in Sweden --before all the media frenzy. All last summer my friends spoke about it in Skala Eresssos on the island of Lesbos on my holiday for it takes up how Mary Magdelene may have been one of the disciples of Jesus . I even bought the book which awaits my scrutiny. Tonite, the film adapted from the book will open the Cannes Film Festival . I saw it several hours earlier today. I am glad I saw the film before I read the book. Because as filmmaker Maya Deren declares: if cinema is to develop its own language it must create a vocabulary of filmic images. It should reject horizontal linear development and create vertical cinematic time and space. That said, Ron Howard's The Da Vinci Code is a horizontal potboiler. There are few instances of cinematic magic. Granted there are several teams that worked on special effects , with colorful code na...

Udine Far East Film Festival

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The Udine Far East Film Festiva l ran from April 21-29. See Greencine dispatches for the entire festival. CinéFemme especially recommends Ma Liwen: You and Me , a meeting between an elderly woman who was a soldier and rode horses, and a young university student. The contemplative pace of the film and the female characters are exceptional. If the paucity of Asian films at the Cannes Film Festival gets to you, plan on attending this festival. (This year there are 12 Asian films in Cannes, 73 in Udine). Fest catches the Asian films released between Venice and Cannes, and which miss the crosshairs of Berlin. The festival hopes to double the amount of Asian film to the Venezia- Friuli-Veneto region together with the Venice Film Festival. And director Marco Müller was in attendance to give his nod of approval. The festival organizer is of Europe's leading experts in Chinese literature and who saw to it that Hayao Miyazaki came to Italy to accept a Golden Lion for Lifetime Achievement ...

Jane Fonda back in Stockholm

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©Moira Sullivan Jane Fonda was in Stockholm during the antiwar demonstrations against the Vietnam war in the early 1970's. Then in 1989 to promote the film Old Gringo . On March 18-22 she came again to promote her book, My Life So Far , and to introduce a retrospective of her films at the Swedish Film Institute Cinemateque. She marvelled at how Swedish films are paid for by a percentage of the box office, and enthusiastically presented On Golden Pond , the last film her father Henry Fonda made. She starred as his daughter, and recalled some of the problematic issues of their relationship on screen. Katherine Hepburn played Jane's mother who tried to smooth the way between them, both offscreen and onscreen. Both Henry and Katherine won Oscars for their roles and Fonda recalled how Katherine remarked, " you'll never catch me now!" ©Moira Sullivan  A huge crowd of primarily middle aged women filled the Stockholm Kulturhuset to hear Jane Fonda speak about h...