CinéFemme - Annakarinaland

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Annakarinaland

Annakarinaland
Anna Karina in Pierre le Fou

2019-01-07

Diverse winners at the Golden Globes


For once HFPA Golden Globes were winners that defy the predictable awards that are chosen over and over - and on to the Oscars for more of the same. Best dramatic actor Rami Malik was brilliant as Freddie Mercury in "Bohemian Rhapsody", winner of best dramatic film and dedicated his best actor award to him! Lady Gaga won best song for "Shallow" as she should but no other awards went to the remake of "A Star is Born," leaving Judy Garland and James Mason as the best sublime tragic couple in of this film .

Glen Close gave an outstanding speech as best dramatic actress for "The Wife"--it took 10 years to make it, she said, because of the title. Her character follows her husband (Jonathan Pryce ) to the Noble Prize ceremony for his award. In real life her 80 year mother confided she hadn't accomplished anything in her life, and Close proclaimed that like many wives, a lifetime of subordination is a waste and that women must find their own voice. Best speech of evening. Carol Burnett explained how being young in the TV business of today is truly eclipsed by how fantastic it was to work in the 50's and 60's and the Carol Burnett Television Award was inaugurated.
Richard Madden won best TV actor in a drama -- thanking his great co-star Keeley Hawes -- Kitty in "Touching the Velvet" (2002), opposite Rachel Sterling as Nan. Sandra Oh won best actress for the TV drama, "Killing Eve" but as emcee of the Globes, both she and Jeremy Park bombed (did they write that stuff?).


Jeff Bridges as recipient of the Cecil B DeMille Lifetime Achievement Award gave a hard to follow speech about being touched by luck and urging everyone to touch each other. "Green Book" declared rightly so as best "comedy" of 2018 , best screenplay and acting awards to Viggo Mortensen and Mahershala Ali. "The Favourite's" British star Olivia Coleman gave a warm and witty thank you as best actress in a comedy.
Best actress and supporting actress in a limited series went to two powerful women - Patricia Arquette - "Escape At Dannemora"and Patricia Clarkson for "Sharp Objects" . Barry Jenkins' "If Beale Street Could Talk's Regina King won best supporting actress in a drama proclaiming that 50% of future projects that she will produce will be women. As the first woman of color HFPA emcee, Sandra Oh acknowledged her sisters in the industry.




























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2018-12-30

Diversity




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2018-11-07

Maria by Callas - in her own words.





Excellent documentary by Tom Volf on Maria Callas, in her own words with rare footage of her operas and appearances throughout the world. How she felt about her life as a woman. Aptly named "Maria By Callas". Opening in US November 9.

We see her surrounded through most of the film by men, fans, hounding journalists who don’t take no for an answer until she says firmly, no interviews, now stop it. But it is also evident how many women are standing in the background who are devoted fans. Always elegant with a speaking voice that is cultured , mid- atlantic- partly British partly American pronunciation. Throughout the film, Maria's thoughts about her career are candid but there is the other part where she is shown speaking under duress, under the lights of photographers standing over her, talking at her , questioning her. When she arrives at the Cannes film festival in 1960, she is a lone woman in a sea of men.

This documentary does not go into the gossip about Onassis and Jackie Kennedy or the provincialism directed against the younger Callas for being moderately overweight in a profession where hefty male opera singers are never derided. But her letter about the marriage of her friend Onassis to Jackie Kennedy reveals that she found out about their marriage in the newspaper. There is documentary footage of Onassis and Callas on his yacht , a trip that began their friendship and resulted in Maria divorcing her much older husband of 10 years, the industrialist Giovanni Battista Meneghini who helped her with her career in Italy. Onassis, said Callas, was instrumental in getting her to relax and enjoy her art. The time they spent at Cannes and Monte Carlo involved gatherings with celebrities such as Grace Kelley and Jean Cocteau. Callas did make a film with Pier Paolo Pasolini, Medea , an art house film written by Pasolini where she has the title role of a sorceress who kills her husband and children. She is brilliant in it. We know she was a great actress from her recreations of classic opera.

No matter how she has been the recipient of ridiculous theories about her register, her temperament, and love affairs from tabloid journalism , she was a phenomenal artist. This documentary proves it.

"By virtue of sheer determination, she triumphed over her vocal limitations. She immersed herself in her roles, studying every word and every phrase for maximum musical and dramatic effect. Her singing was full of subtle inflections, accentuations, shadings, that were foreign territory to most other sopranos. She extended this kind of superior musicianship to her approach to the stage. Every gesture meant something, every movement and facial expression was aimed toward an emotional or dramatic climax" (NYTimes 1977).

A biopic is still in production (or was), directed by Niki Caro ( The Whale Rider 2002) with Noomi Rapace playing Maria Callas. Hard to believe Rapace in this role.
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2017-10-16

Men like Weinstein are afraid of women

Women should not be afraid of men like Weinstein. The stories that are about fear are changing into righteous rage. Women must stand up for themselves , stand united, and express 0 tolerance for this behavior. Men are actually afraid of women, which is what is really behind this kind of abuse. Men are afraid of women's intelligence, fortitude, strength, and beauty. Men have made women into monsters in mythology like Medusa with fangs and witches with long noses, and in cinema, Baby Jane, Carrie, Regan (Linda Blair), Ripley. Men in Hollywood abuse young children like Shirley Temple and countless young women as Weinstein has because they are afraid. Abuse is not about power, but fear.







SundayReview | OP-ED COLUMNIST

Harvey Weinstein, Hollywood’s Oldest Horror Story

Maureen Dowd OCT. 14, 2017
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CreditMelody Newcomb

In her autobiography, “Child Star,” Shirley Temple described going with her mother to see her new bosses at Metro-Goldwyn-Mayer after leaving Fox.
Louis B. Mayer spirited away Gertrude Temple. The curly-haired superstar — hailed by F.D.R. for helping America get through the Depression — was taken to the office of Arthur Freed, an associate producer on “The Wizard of Oz.”
After telling her that she would have to get rid of her baby fat, Freed abruptly stood up and pulled out his penis. The 11-year-old had never even seen one before. She gave a nervous laugh, which offended the producer.
“Get out!” he shouted.
When she rejoined her mother, an affronted Gertrude told Shirley that she had had to back out of Mayer’s office when he lunged at her.
“Not for nothing was the M.G.M. lot known as the ‘factory,’ a studio perfumed with sultry, busty creatures with long legs and tight haunches,” Temple wrote, “and more than its quota of lecherous older men.”
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Nearly 80 years later, that aroma of perversion and maladroit du seigneur clings to Hollywood. Now we are inundated with grotesque tales of Harvey Weinstein pulling out his penis to show to appalled and frightened young women, enlisting the pimping help of agents and assistants to have actresses delivered to his hotel rooms, where he pestered the women to watch him shower or give him a massage or engage in intimate acts.
“The ill will towards him for getting away with it all for so long has unleashed something so primitive,” a prominent male Hollywood producer told me. “If people could rip him apart, they would. Literally everyone in Hollywood is taking marshmallows to roast at his burning corpse.”
Dana Calvo, the creator of “Good Girls Revolt,” noted: “We have been saying, just get us in the room. But we meant the pitch room or the editing room or the boardroom. Not Harvey Weinstein’s hotel room.
“I do know I will never look at bathrobes the same way. It’s the bathrobes versus the pussyhats.”
While not a victim of Weinstein’s, Calvo worked for Amazon Studios, which was headed by Roy Price until he was suspended on Thursday for sexual harassment allegations. He had already come under scrutiny for being culturally tone deaf, passing on two of the biggest hits of the year, “Big Little Lies” and “The Handmaid’s Tale,” both of which swept the Emmys for their storytelling about women. And he canceled the popular “Good Girls Revolt” after one season, admitting he had never watched it.
Weinstein, 65, was the opposite, one of the rare men in Hollywood who didn’t care about pursuing an audience of 15-year-old boys with comic book movies. He was someone with taste who was trying to make movies with great roles for women of all ages, a top Democratic fund-raiser who was pushing to make Hillary Clinton the first woman president, a man trusted by the Obamas to have their daughter intern at his company.
But he had a diabolical side. He would tantalize actresses with dreams of stardom — in that dewy, fleeting window such hothouse orchids have to take Hollywood by storm. Often the actresses scrambled, trying to figure out how to get out of the room without having their futures shredded by the vindictive satyr, who also threatened to destroy actresses who balked at wearing dresses designed by his wife Georgina Chapman’s fashion label on the red carpet.
He relished the nickname “Harvey Scissorhands,” given to him by filmmakers who did not like his domination in the editing room. But the nickname could work just as well for his octopus ways with women, which resulted in lots of hush money being paid out.
And some of his own assistants say they were assailed. One ran out of the room, crying and distraught, after Weinstein pressed her into giving him a massage.
Some who were importuned or pawed, like Angelina Jolie, stalked away and told studio executives that she would never work with the pestilent mogul. Others whom Weinstein asked to give him a massage in his hotel suite refused but continued to collaborate, like Gwyneth Paltrow, who put aside qualms to become “the first lady of Miramax.”

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When David Carr wrote about “The Emperor Miramaximus” in 2001 for New York magazine — several years after the unpleasant experience Paltrow described for the first time this past week to The Times — he quoted her saying: “I think that for every bad story you hear about Harvey, there are three great ones. People are complicated, and nobody’s all good or all bad.”

Other victims, like Rose McGowan, took settlements from the mogul to stay quiet but continued to seethe, until her rage spilled over Thursday when she tweeted — after getting back on Twitter after an absurd banishment by the company — that Weinstein had raped her.
Once more we are in a searing national seminar on sexual misbehavior by men, just like the Hill-Thomas hearings, the Clinton impeachment hearings, the Bill Cosby trial, the downfalls of Roger Ailes, Bill O’Reilly and other harassing big shots at Fox News, and Donald Trump and the fallout from the “Access Hollywood” tape.
How many times do we have to go through this before things really change?
“If you look at The Hollywood Reporter’s powerful women list,” said Janice Min, the former editor of that publication, “every single one of those women still reports to a man.” (By some estimates, there are only six women who have first-look overhead producing deals at the studios.)
Min recalled attending the $400,000 speech Barack Obama made as an ex-president to an A&E Networks advertising upfront at the Pierre hotel in New York in April.
“Afterwards, amid rapturous applause, he walks right over to Harvey Weinstein and gives Harvey a hug,” Min said. “You can see the optics of it all. It makes your head explode if you think of the inability to explode the male network.”
Min said that although The Hollywood Reporter tried to get the goods on “that looming, ominous, bellicose force” named Harvey for many years — “we had white boards full of names of women” — he was a master at protecting himself, just as Hugh Hefner was, by the veneer of power he cultivated, by giving to liberal causes and cultivating friends in the media and politics.
“There probably needs to be some introspection about how certain people who engage in horrendous mistreatment of women can co-opt the media,” she mused. “The fundamental predatory nature of Hollywood is young, attractive people — largely females — putting themselves in front of men to be judged and appraised and chosen.
“It is a dark equation. From the moment the proverbial girl gets off the bus, the odds are stacked against her. In Hollywood, unlike at other Fortune 500 companies, the one-on-one meetings take place in hotel suites and bars. It’s an exploitative and oddly personal process.”
Young actresses (and surely actors, too, with other powerful predators), Min said, knew that “Hollywood is built on nothing but the pursuit of Oscar and Emmy. Harvey had proven time and again he could get you the Oscar that could make your career. It’s the difference between being in the reboot of ‘Saved by the Bell’ or getting 15 million for your next role.”
Hollywood is a culture that runs on fear. And it is not like other professions, one top entertainment executive said, because “no one comes with a résumé. It’s about what you look like and who sent you.”
There was resentment against Weinstein in Hollywood, not only for the stories bubbling around about women, but the way he humiliated men who worked with him. He even berated a 15-year-old girl at a screening because her parents supported a political candidate he opposed.
Like Trump, that other self-professed predator, there were complaints that in business deals he stiffed people on bills (advertising and public relations payments), and he had a reputation for lying, cheating, taking advantage, acting like a thug. Many in the film community felt he besmirched the Oscars by turning it into a marketing race rather than a contest of quality.
I asked Tim Robbins, who had some unpleasant business dealings with Weinstein, what the moral of this foul, revolting story should be.
“It’s not just in show business, it’s every business,” he said. “It’s about men who use power to get an advantage over women. It’s gross, it’s unacceptable, but unfortunately, it’s pretty persistent.”

Women in Hollywood say social media, plus the anger about Trump getting into the Oval Office instead of Hillary, were propelling forces in the fire raining down on Weinstein.
“I hope it’s a witch hunt,” said a top Hollywood woman. “I hope it’s a purge. There are people we have to get rid of in our business. Everyone knows them.”


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2017-10-11

Bring charges against sexual predators: Allen, Polanski, Trump and Weinstein.


So many have been looking the other way for Roman Polanski (statutory rape) , Woody Allen (child molestation - his own) and Donald Trump (sexual harassment) - that it's about time that Harvey Weinstein is being nailed -- and so should the other above named predators. It's Allen's son that did the most scorching exposé of Weinstein's sex crimes. Trump doesn't deny it. Allen and Polanski hope it just goes away.

"I have moved so far past it. I never think about it. I work. I said I was never going to comment on it again. I said everything I have to say about it.” Woody Allen

"As far as what I did: It's over. I pleaded guilt. I went to jail. I came back to the United States to do it, people forget about that, or don't even know.” Polanski

"I just start kissing them. It's like a magnet. Just kiss. I don't even wait. And when you're a star they let you do it. You can do anything. Grab them by the pussy. You can do anything." Trump.












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Rape and sexual harassment for decades. Weinstein is outed.

From Aggressive Overtures to Sexual Assault: Harvey Weinstein’s Accusers Tell Their Stories 
By Rowan Farrow. 
New Yorker, October 10, 2017.
Includes recording of Weinstein verbally coercing and harassing a young woman in hotel. Asia Argento and other women speak out
"For more than twenty years, Weinstein has also been trailed by rumors of sexual harassment and assault. This has been an open secret to many in Hollywood and beyond, but previous attempts by many publications, including The New Yorker, to investigate and publish the story over the years fell short of the demands of journalistic evidence. Too few people were willing to speak, much less allow a reporter to use their names, and Weinstein and his associates used nondisclosure agreements, monetary payoffs, and legal threats to suppress these myriad stories".
Rowan Farrow, son of Mia Farrow and Woody Allen.
(Rowan on Allen: "He's my father married to my sister. That makes me his son and his brother-in-law. That is such a moral transgression.")

No longer whispered but out - raged.

The myth of the powerful man and the beautiful women behind him, unraveled. 
How many other movie moguls do the same and have done so historically in the film business?


Harvey Weinstein, movie mogul and predator, revealed. 
Using the same excuses as Arnold Schwarzenegger did to rationalize his behavior that his behavior was formed in the 60s (when he was a teenager) and 70s. Bad behavior dies hard.

Ashley Judd spoke out and began the repercussions that brought down Weinstein this week.

 “Women have been talking about Harvey amongst ourselves for a long time, and it’s simply beyond time to have the conversation publicly.”               -  Ashley Judd 
I am a 28 year old woman trying to make a living and a career. Harvey Weinstein is a 64 year old, world famous man and this is his company. The balance of power is me: 0, Harvey Weinstein: 10.
— From Lauren O’Connor‘s memo
Meryl Streep  and Jennifer Lawrence have spoken out and dozens of women.  Saturday Night Live SNL kept quiet cutting material about Weinstein in their show with Gal Gadot hosting September 30. Women stick up for each other— SNL and other male written shows (Colbert, Fallon) tried to ignore or bury it. 

Now, they can't.
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  • Xena: Warrior Princess, The Final Episode: A Friend in Need, Part I and II.
    Xena Redux I first started watching Xena: Warrior Princess about a year ago. I can’t believe I missed the entire six seasons when they wer...
  • Maria Schneider: Forget Last Tango.
    Autoportrait: Maria Schneider Interview with Maria Schneider by Jackie Buet, Elisabeth Jenny. Créteil Films de Films, 2001. ...
  • Maria Schneider's Arthouse: Beyond the Myths
    Note: This tribute to Maria Schneider was published in Senses of Cinema, March 13, 2011 and has been updated here. Merry Go Round, 1977....
  • Tribute to Maria Schneider
    Through the Years with Maria Schneider: A Visual Essay  Rethinking Last Tango French culture minister Frédéric Mitterrand ("...
  • Grace Slick and the White Rabbit Society
    White Rabbit is a ballad about the hypocrisy of the American"establishment" and the disenchantment of the 60's. This is G...
  • Créteil 31 Honors Anna Karina
    Here is a photo of Anna Karina . You may not recognize her. Her face is hidden, behind a camera. The camera eye eclipses the wide eyes tha...
  • Viva Karina - A Star Is Going to Another Galaxy (1940-2019)
  • Leonardo Who ? or Symbols of the Sacred Feminine
    I missed the frenzy around Dan Brown's best seller last year, The Da Vinci Code recommended by a respected Zen Buddhist teacher in S...
  • Revisiting Katherine Hepburn in Venice: Summertime
    Katherine Hepburn in Venice Summertime UK / 1955 Summertime was shot exclusively in Venice. And for those who have been to Venice, ...
  • Vivre Sa Vie: Living "the life"
    Vivre Sa Vie : Film en Douze Tableaux (1962) is one of J L Godard's earliest films starring his wife at the time, Anna Karina. The form...

Katherine Hepburn

Katherine Hepburn
Christopher Strong 1933
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Dorothy Arzner

Dorothy Arzner
Katherine Hepburn as Lady Cynthia Darrington

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