Anna Karina in Pierre le Fou


Créteil Films de Femmes Celebrates 35 years

35 th Year Poster by Karine Saporta 
The Créteil International Women’s Film Festival, which was held from March 22 to 31 honored veteran filmmakers and actresses who have attended previous festivals such as Margareta Von Trotta, Suzanne Osten, Mira Nair, Ulrike Ottinger, Agnes Varda, Carmen Maura, Maria Schneider and Anna Karina. 
Jeanne Balifor
The guest of honor this year was Jeanne Balifor, an actress unknown outside of Europe who selects films that are noteworthy for their extraordinary themes.  L´Age d´Ellen (Germany 2009), (The Age of Ellen) by the German director Pira Marais was screened for the occasion on Day 2 about a flight attendant (Jeanne Balifor) who decides to abandon her career after an incident in Africa when a leopard on the landing field is sedated by an animal rights activist.
Youth from the Créteil high schools and university are involved in the festival, documenting the festival on film teams, and the government supports the festival. During the year, the festival creates video workshops for them with selected themes and their films are screened in the Créteil Prefecture.
Nayat Valaud-Belkacem 
The new “Minister of Women”, Nayat Valaud-Belkacem in François Hollandes cabinet, visited the festival on Day 3 and proclaimed how important the Créteil event was. “Even the Lumière Brothers had a sister”, she declared. In the festival catalogue, she was generous in supplying ample statistics defying the myth equality has been reached by women in France: “Five percent of classical concerts are directed by women; 90% of the national dramatic theatres are directed by men; 4% of operas are directed by women, and 13% of the technicians in cultural arena are women. For the world of cinema, it is the same”, wrote Valaud-Belkacem.
Créteil nevertheless devotes itself to “the privileged exhibition of film directors around the world; it has become over time the only professional event on a major international auteur cinema long discriminated against and poorly dispersed”. It is a festival supported by both the Ministry of Culture in France, and the Creteil borough. Director Jackie Buet has been with the festival since 1979.

An invitation to the “L’Étrange” or Strange Film Festival in Paris featured two films by French filmmaker Angélique Bosio.
The first was the world première of a documentary about a virtually unknown French designer– Fifi Chachnil. In Pretty en Rose (Pretty in Pink). Fifi is known for designing fashionable lingerie and attire for women and has worked with filmmakers such as the gay team of Pierre and Gilles. Bosio spend six years making the film which she also successfully crowdfunded in part.
Bosio’s “Llik your Idols” from 2007 was also screened about the Cinema of Transgression movement of the 80’s coined by the American Nick Zeddfilms which were inexpensively underground films created for shock value, often having a humorous effect.
On the final evening of the festival was a special event called an ‘avant première’ of Margareta Von Trotta's biopic  “Hannah Arendt”. Barbara Sukorow plays the German American political theorist. Arendt wrote several important books and also covered the trial of Eichmann as a reporter for the New Yorker. She was critical to how the trial was conducted and a large part of Von Trotta’s film treats this. 
The international jury selected Hemel as the best feature film of Créteil festival this year.
Grand prix du Jury Meilleur long métrage fiction
Hemel by Sacha Polak (Netherlands 2012):
The story of a woman who is lost in a series of relationships and whose father soon becomes seriously interested in a new woman, which shakes Hemel’s foundation.
Honorable mention. Mention special. The Mirror Never Lies by Kamila Andini (Indonesia, 2011):
The story of an Indonesian mother Tayung and her 12-year-old daughter Pakis whose husband is missing at sea. The film is set in the Coral Triangle and portrays the lives of the Bajo people today
Public prize for feature film. Prix du Public Meilleur long métrage fiction
Inch’Allah by Anaïs de Barbeau-Lavalette (Canada, 2012)
The story of Chloe, a young Canadian obstetrician working in a makeshift clinic in a Palestinian refugee camp of the West Bank.
Public prize for best documentary. Prix du Public Meilleur long métrage documentaire
Même un oiseau a besoin de son nid (Even a bird needs a nest) by Christine Chansou and Vincent Tritignant-Corneau (France, 2012).
The film about one million Cambodians who have lost their homes to make way for commercial development, which elicited a massive protest led by women.
Best feature, Jury Youth Prize. Prix du jury Graine de Cinéphage
Sac de Farine  (Sack of Flour), Kadija Leclere Tunisia, 2012): the story about a young girl in Belgium whose father one day arrives at her school to take her to live in Morocco. She grows up learning how to sew and knit rather than study math science and art. One day everything changes.
Créteil is clearly up to date, and defies the protocol of rival festivals with its special programming criteria. After 35 years the festival remains a maverick in the arena. 


Annette Funicello was the darling of the original Mouseketeers

Annette Funicello was the darling of the original Mouseketeers


Romanian drama 'Beyond the Hills' sets lesbian characters back years

Romanian drama 'Beyond the Hills' sets lesbian characters back years

Beyond the Hills

The award for one of the most backward portraits of lesbians in recent film history would have to go to "Beyond the Hills" opening in San Francisco March 15. The film is set in a Romanian convent where a young woman comes to visit her past lover after working in Germany. They had plans to live together and Alina (Cristina Flutur) was even saving up to buy land for a home. But Voichita (Cosmina Stratan) decides she doesn't want to leave the monastery with her and Alina flips out.

Worst lesbian onscreen characters in recent years; Cosmina Stratan and Cristina Flutur, best actress award at Cannes 2012.

The "Father" and "Mother" as they are called of the monastery do a "pray in", chaining Alina to a wooden board in a bizarre sort of exorcism. The treatment raised the eyes and ears of critics in the recent Cannes Film Festival and it was considered a front-runner for the Palme d’Or. You could either love it or hate it. The film is an indictment on the religious and medical persecution of "hysterical" women, who usually have some background that qualifies them to be "hysterical", as in this case.
The actresses in the film, Cristina Flutur and Cosmina Stratan, shared the award for best actress but the consensus of the critics is that this was not an exceptional Cannes festival year.
Director Christian Mungiu won the best screenplay for the film and this must have been because of the cinematography that adorns this barren story.
To create a lesbian couple where only one of the two is willing to admit it, and the other in the worst throws of unrequited love keeps hurling herself at a religious fanatic, her former girlfriend, is a screenplay nightmare considering all the inroads that have been made about lesbian characters in recent years. It would be well to avoid Romanian monasteries for the adventuresome lesbian of today. Run for the hills! There are no good female role models in the film either, where nuns try to remedy the two girls and get Alina to calm down and pray to God to be relieved of same sex love. All rely on the priest who is the father figure of the convent and who tries to be a father to the wayward lesbians amidst his Christian colony.
Not even the jury of the Queer Palm felt this picture of a closeted lesbian and a victimized love addict was strong enough to motivate an award in opposition to the ideas of the official jury. Take note that jury decisions at film festivals are arbitrary but the Cannes awards for this film were eye-opening.


'Silver Linings Playbook' gives Jennifer Lawrence her first Oscar

By Moira Sullivan

When Jennifer Lawrence was asked to be on the Actor’s Studio she declined claiming she has no 'method' of acting.  She has played strong women in 'Winter’s Bone' and 'The Hunger Games', and now in 'Silver Linings Playbook'. Since declining to be interrogated by the caustic James Lipton she may inspire many young actors who haven't had a formal acting, singing and dancing education from the minute they were born.  There are some like Lawrence who are creative souls that are born to act.

At 22 Lawrence has made uncanny remarks that reveal introspection and wisdom. Her take on life is refreshing and her sense of humor is endearing. At the Oscar backstage press conference she remarked in gest that journalists, all issued with numbers, were taking turns making fun at her, such as if she worried that success had come too soon. "I do now", she answered clearly taken aback by the question.
In a recent interview she reveals she doesn't like to talk about herself, and that it is not healthy to do this all the time. At home she may wear the same clothes three days in a row. She also feels the penetrating eyes of the paparazzi and knows her personal freedom has been clipped. It is a bit scary to see what the fashion designers and photographers are doing with her much like Kristen Stewart where she is asked to pose as personas such as for Dior that are very much unlike the person she appears to be in her interviews. Will fame change Jennifer Lawrence? It probably will if she doesn't have good people looking out for her. This brings to mind the truthfulness of the comments of Jodie Foster at the Golden Globes who said there was a camera in her face from an early age.

"Silver Linings Playbook" directed by David O Russell is moving and engaging. Two misfits who are taking medication for depression - Tiffany (Lawrence) and  Pat (Bradley Cooper) meet while jogging. Pat has been issued a restraining order towards his girlfriend and now lives at home with his parents. Down the street lives Tiffany, the widow of a local who took out her grief by sleeping with the male and female staff at her job and was consequently fired.  Tiffany promises to get a letter to Pat's girlfriend but wants something in return -  that Pat enter a dance contest with her.

The yin and yang of the film with complementary opposites is fairly simplistic and geared for a general audience. Dance will help make Pat feel but his father played by Robert De Niro, likes to bet on football games. He has been banned from games since he fights but wants his son to go to games for him and improve his betting odds with his neighbor. It is not hard to figure out the roots of Pat's depression growing up with this father.

Russell puts Tiffany center stage and the clever young woman suggests a bet to see if the Eagles can beat the cowboys and that she and Pat will get a score of 5 from the judges at the dance competition.
Lawrence was promoted for the Oscar by Harvey Weinstein and as she admitted at the Golden Globes she asked him "who she needed to kill" for the part. It is clear that producers push their talent for awards which increases their box office receipts. It's not altogether fair to Lawrence who shows incredible acting acumen in the film and is the lynchpin to all the other characters, even outshining Bradley Cooper.

With this award, unlike Anne Hathaway's fifteen minutes of screen space in "Les Misérables"that brought her a supporting actress Oscar, Lawrence is destined for great parts. Hopefully she won't be pigeonholed into playing women with mental problems as the result of the award, which often happens with an Oscar winning performance. One need only look to Meryl Streep to realize that it doesn't have to go this way, and one of the reasons why she is so highly regarded in the motion picture industry. "The Hunger Games" will continue and Lawrence knows what will happen here, but she is such a talented, insightful and resourceful actress that her future roles will be very exciting to follow.  The world needs more young women like Jennifer Lawrence and her Oscar is also a nod to all of us for choosing someone like her to represent our ideas about life.
© 2013 - Moira Sullivan - Date: 02/26/13


Jodie Foster's Cecil B. DeMille Lifetime Achievement Award speech was brilliant

Jodie Foster's Cecil B. DeMille Lifetime Achievement Award speech was brilliant


Tina Fey and Amy Poehler Reinvent the Golden Globes

Tina Fey and Amy Poehler
Thank you Hollywood Foreign Press for choosing Tina Fey and Amy Poehler as emcees of the 70th Golden Globes! The "Saturday Night Live" veterans put the Globes on a roll from the start.

Kathryn Bigelow’s nominated tonight. I haven’t really been following the controversy over "Zero Dark Thirty", but when it comes to torture, I trust the lady who spent three years married to James Cameron,” intimated Poehler.
The remark went around the room in cascades of astonishment and amusement.

Then there were those other standout moments:

"JLaw", quipped presenter Will Ferrell with Kerstin Wiig about best actress in a comedy Jennifer Lawrence. In a hilarious clearly unrehearsed skit, the duo took us through their experience of the films in the category they were presenting.
On Lawrence and memorable lines from her role in “Silver Linings Playbook”, Ferrell and Wiig were as equally impressed with her as the other nominees:
"That's my cookbook!" "You get out of here",  "And she means it!" emphasized the duo.
Jennifer Lawrence acknowledged in her acceptance speech:

Jennifer Lawrence
"Oh what does this say? I beat Meryl". Lawrence in effect was referencing "First Wives Club," the classic 1996 comedy on female bonding starring Goldie Hawn, Bette Midler and Diane Keaton.
"Harvey: Thank you for killing whoever you had to kill to get me up here",  Lawrence exclaimed.
"To my brothers: I wouldn't have made it up here if you haven't been mean to me".
Well chosen words for the 22 year old actress. Go JLaw!  - a  beguiling actress with unexpected candor.

Back up at bat was Tina Fey on Anne Hathaway, best supporting actress in a motion picture:
Anne Hathaway, you gave a stunning performance in "Les Miserables" (best musical). I have not seen someone so totally alone and abandoned like that since you were on stage with James Franco at the Oscars.”
Hathaway particularly singled out fellow nominee Sally Fields who she applauded for resisting typecasting in roles from “The Flying Nun” to “Norma Rae”, to ‘Mrs. Gump’  to ‘Mary Todd Lincoln’.
Arnold Schwarzenegger and Sylvester Stallone joked about their English language skills.
Stallone to Arnold: “You've been here how long? It's amazing”.

The Austrian drama “Amour”, was the winner for best foreign language film and director Michael Haneke thanked Arnold:
“I never thought to get an award in Hollywood by an Austrian", Haneke admitted. He also praised his actors Jean Louis Trintignant and Emmanuelle Riva and declared that “the Golden Globe is for those fantastic actors”.

Claire Danes won best actress in a television series for "Homeland", her fourth Globe.
“Wow!" I have to thank the HFP for being so insanely supportive of me”,  Danes gushed.
“I want to thank the other women in this category who are so brilliant and have contributed to making television this rich place with really dynamic, complex, bold, female characters."

Add to that list the characters in “Girls” created by 26 year old Lena Dunham who won best actress in a television series. The HBO series is about  20 year old women in New York based on Dunham's own life experience.
Jodie Foster
The true star of the Golden Globes this year was Jodie Foster who won the Cecil B. Demille AwardRobert Downey Jr presented her tribute, teasing that as presenter he was as important as the honoree.  Foster acknowledged Mel Gibson as one of her dearest friends and revealed that she is now single and grateful to her ex-partner Cydney Bernard of 20 years, co-parent to her two children. The 'coming out' announcement is the first on a global level.

Jodie Foster in 'Taxi Driver'
Foster has been in the business 47 years and just turned 50. It would appear from her speech like she won't be on the screen much and wants to change direction, though backstage afterwards she stressed that she has no intention of quitting acting. A compilation of clips from her films included her Oscar nominated supporting role as a 12 year old. In a scene with Robert DeNiro in Taxi Driver (1976) Foster inquires, "Didn't you ever hear of women's lib?"
Though not as eloquent as her previous Oscar speeches,  Foster's Cecil B Demille award was a moving experience, all the more because of her decision to speak about who she is in a public setting. Even to her mother, Foster told her she loved her. hoping it would sink in.  She still wants her privacy and after being in the business since she was three, she deserves it. But the level of sharing that Foster did last night was something special for all of her fans and admirers around the world. It was a rare moment for Foster and a gift to us all.
As the evening wore on, more and more references were made to the free flowing spirits in the room, and comments were frequently censored for national television.

Jessica Chastain

Jessica Chastain was more than gracious in her acceptance speech as best actress in a motion picture drama, especially when paying tribute to Kathryn Bigelow, whom she felt embodied her character Maya in "Zero Dark Thirty". Bigelow is the only woman to win an Oscar for director and her body of work consistently shows her ability to challenge and explore the terrain with great parts for women.
“You said that filmmaking for you is not about breaking gender roles but when you make a film that allows your characters to disobey the conventions of Hollywood, you’ve done more for women in cinema that you take credit for".
Another incredibly generous and compassionate winner with a beautiful acceptance speech was Daniel Day- Lewis, best actor in a motion picture drama for "Lincoln". The British actor reasoned that if Bill Clinton came to speak for "Lincoln" why not Queen Elizabeth making a last pitch for "Skyfall". (Adele won a Globe for the theme song of the latest James Bond film). Day-Lewis praised his "humble master" director Steven Spielberg in the role he will remember all of his life.
In the end, an overwhelmed Ben Affleck won the best director award for "Argo" that was voted the best motion picture of the year.
“Holy Cow, what an incredible company to be in", remarked director Mark Adams whose film "Brave" won the best animated feature. The comment  sums up the upbeat and entertaining Golden Globes this year, a pageant where the contestants seem to feel and display more freedom than they do at the Academy Awards, coming up on February 24.

Tina Fe and Amy Poehler had just the exemplary kind of talent, acumen and appeal that put the room into such great mood that everyone who climbed the steps put out their best. This is the mark of a brilliant awards show. It was an evening in which women were especially in the spotlight and the promise of continual and versatile, powerful roles from veterans Jodie Foster to Maggie Smith to newbies Lena Dunham and Jennifer Lawrence.

Lena Dunhan and cast of "Girls".