Annakarinaland

Annakarinaland
Anna Karina in Pierre le Fou

2012-02-10

The Final Episode: Xena: Warrior Princess

From the archives of CinéFemme Forum


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Mt Olympus, Lesbos Greece
The Xena : Warrior Princess series is classic, and invites viewers to behold it years after the episodes ended in 2001. I watched Xena now and then in Greece during summer vacations when the show was broadcast, dubbed in Greek. But I had no idea that Xena was Thracian and Mt Olympus was located on the very island of Lesbos where I was, the birthplace of Sappho. Women went to a particular souvlaki tavern to catch the show on the TV, and I have finally understood their enthusiasm years later, having recently finished watching all six seasons this week.
Yes, there are still spectators out their discovering Xena for the first time.

I went to my first convention last month and wrote a report for San Francisco Examiner.com:Xena Convention 2010: Still Alive and Living in Los Angeles and did a radio interview for Movie Magazine Intl, San Francisco with Steven L Sears featured on webradio this week.
I realize that my experiences are like others who have discovered and will discover the magic of Xena: Warrior Princess. But many things came clear to me about the series in the final episode.

I knew beforehand that Xena dies in the end. My sister told me and I was crushed But knowing this made me pay attention to premonitions of her eventual destruction. I noticed that there was always this cloud of atonement in the air. Xena had died before and came back to life but nowhere as brutal as in the last episode. It is not only that Xena was killed, but how she was killed.

The Greek Fates or Moirae: Clotho (Κλωθώ),  "spinner" of the thread of life,
Lachesis (Λάχεσις) ,"alloter" of the thread of life allotted to each person,
Atropos
(Ἄτροπος, "unturning"),  the cutter of the thread
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Without
Xena: Warrior Princess devotees, this series would never have founds its true momentum. Thank you Xenites, for being a source of inspiration.
I am still feeling a chill about that last episode.....and a lot of sadness....

A Friend in Need is a Friend Indeed, So Where was Gabrielle?

The relationship between Gabrielle and Xena was carefully established over the years. Watching Gabrielle come into her own power and learn to fight like a warrior was remarkable, but it never ceased to amaze me how skilled Xena was.  She could take on more than several foes at once, and rescued Gabrielle countless times.
In the final episode Xena asks Gabrielle where they should go next. In synch with her question, a monk arrives with a beautiful sword that once belonged to Xena and he tells her that her services are requested in the East.
The soul-eating demon Yodoshi has been snatching people’s souls right and left so Akemi sends for the “Warrior Princess”  to  set things right.   Xena met Akemi a long time ago and followed her presumably to get the ransom on her head from her family. Along the way Akemi stops by her grandfather’s grave. His spirit tells her that Xena needs a better sword. The warrior princess has to fight for a mighty one from the arrogant sword makers who don’t want to make one for a woman. The monk delivers this to her with Akemi’s request. Xena has to go, and Gabrielle must follow:  "where you go, I go".

Akemi’s father Yodoshi turned into a demon after she put “the pinch” on him which Xena taught her. The pinch causes blood to rush to the brain and death in 30 seconds. Gabrielle is astonished that she would have taught this to Akemi. Perhaps now we know why Xena always hesitated to teach it to Gabrielle. She told Gabrielle that Akemi broke her heart and was the first woman to teach her about love. Well, talk about it anyway, as Xena didn’t understand that Akemi’s rapidly beating heart was a sign of passion.  It was hard to figure out  Akemi's  motives from the very beginning. After Akemi puts the pinch on her father, she suddenly commits Harakiri with a sword. Her dying wish is for Xena to take her ashes to a special shrine for protection. This tragic event causes Xena to momentarily become an alcoholic, and stumble through the streets carrying Akemi’s ashes. The villagers have hacked off her hair. When they attack her again, the urn breaks into pieces and the ashes scatter. In defense Xena takes one of their torches of fire, to defend herself, a fire that spreads through the entire village. She learns later that 40,000 people lost their lives that day. And whose fault was that?

On her new visit to the “Land of the Rising Sun” (Japan), the soul-eating demon Yodoshi has prepared a welcome for Xena with a ton of soldiers. They first set fire to a village. Xena asks Gabrielle what she would do in this case, the first time, and  a premonition of the retreat of the Warrior Princess.  Gabrielle suggests using acrobatics to approach the water tower for extinguishing the flames. “Its not what I would have done”, Xena says afterwards, “but it worked”. Xena teaches her "the pinch," and tells her that if there were 30 seconds remaining in her life, she would only feel love for Gabrielle. Tidings of things to come.
Akemi’s ghost lives in a teahouse outside of town with two other ghouls. When Xena visits, one of them alerts Yodoshi who comes running. He warns Xena what he has in store for her and that she will lose her head. Akemi knows what she is in store for too, but doesn’t tell the whole story, and never has. Xena learns hat she must die to enter the underworld and conquer Yodoshi. But Akemi doesn’t warn her there is no way back after her death.

That a manipulative and child-like waif who is a super tease leads Xena to her death is allowed to reek havoc on the warrior’s life is astonishing after so many tests and ordeals through the series. The fire that took so many lives was started in self defense because of Akemi’s sudden death and Xena’s despair, and it was  hardly an act of malice that the fire spread so quickly.  What about the conscience of the villagers for shaming a woman and ridiculing and tormenting her? But should this end the love she experiences with Gabrielle. Isn’t Xena smarter after all of these years to fall for Akemi's games? Isn't Gabrielle worthy of a life with her? Apparently not. Xena buries her copper breast plate, and adorns a royal warrior outfit with silver and crimson trim, and strikes out on her own to conquer an enormous army, without Gabrielle. She does well in the battle. She sets the soldiers ammunition on fire, which creates a huge mushroom cloud, and takes many of them out with her bow and arrow. The Captain instructs his warriors to unleash a barrage of arrows, several which hit her and wear down her strength. The warriors then attack her with swords. Xena cries out for Gabrielle, unable to hold her own alone any longer. Why would she have done this if she didn’t have the will to live?  And why, for once does Gabrielle not appear ? The Captain marches up to Xena and hacks off her head. The screen goes red, and fortunately we don’t have to witness the beheading. A bloody chakram lays on the ground, used only once when it could have saved her life. Later when Gabrielle finds Xena’s naked body hung up outside a shed and we see her devastated and tear stained face, we know the murder has been brutal.

The Captain tells Gabrielle that Xena was a worthy fighter, but she counters that she died dishonorably, was unfairly outnumbered and slaughtered. She asks to see her head, which is propped up on a nearby plank like a trophy. Gabrielle avenges her death by killing the Captain and refusing to cut off his head. She returns to the little teahouse and meets Xena, who has not yet understood she is dead, for when she reaches for her chakram she cannot grasp it in her hand. She tells Gabrielle that death is the only way to conquer Yodoshi. Gabrielle believes her and burns her body. On the second sunset she is to take Xena’s ashes in a magic spring in order for her to return. When the Captain shows up again and attacks Gabrielle, the urn rolls away. After defeating Yodoshi and seeing that the souls he has captured will be condemned, Xena tells Gabrielle to forget about her ashes. She has to stay dead to atone for the 40, 000 dead souls. Gabrielle is stunned and crushed but accepts it, perhaps all too quickly. Most fans did not.

Writer RJ Stewart scripted this problematic narrative.  Throughout the series, and despite subtle hints, it finally registers that the romanticized “friendship” of Xena and Gabrielle truly fits with the ending. Having Xena by her side in spirit should be enough for Gabrielle. They have experienced being soul mates through declarations of love to each other, or when the frequently injured Gabrielle is held by Xena. In the end, Gabrielle attends to Xena’s corpse and must say farewell to her life on earth. Soul mates or not, enduring screen love is not for same sex mortals like Gabrielle and Xena. Xena has died and gone to heaven, the biggest myth of all. The parallels are transparent. "What greater love than he who laid down his life for our sins". For didn't the villagers attack and torment a grieving woman on the streets of their village, who forgave them, and gave them eternal peace?

When commenting on the episode years later, director Robert Tapert does most of the talking in the video commentary. It is his creation. Lucy Lawless looks somewhat glum while Gabrielle is gushing with comments, true to the character they played. In the preceding episode “When Fates Collide”, both Lawless and husband Tapert make a curious comment about Xena’s love for Gabrielle. While hanging on the cross, Xena says, “ I love you Gabrielle”. Lawless frowns, and says the declaration was "forced". "Yes", says Robert,” it was forced”. Did  Lawless mean that she felt "forced" to say this? Or that she should have said it more convincingly? This is in the MAIN TEXT, not SUBTEXT. For is it not appropriate to exclaim love after taking Gabrielle’s place on the cross? 
Sacrifice is the stuff of Greek tragedies. Gabrielle gets to love Xena in spirit for the rest of her life after the final episode, as it pretty much has been all along. And with chakram on waist, Tapert exclaims, “Its Gabrielle; Warrior Princess, but we couldn’t sell it". Was this the plan? Had Lawless decided to quit and pass the series on to O'Connor?


Endings where women atone for their past with their lives, where women are beaten and assaulted after kicking ass with superior skill for more than six years are problematic. It would be more honest to end in a manner more like Lawrence of Arabia and have Xena fall from a horse in an accident far removed from the battlefield.

So Sad to Fall in Battle is the story of the Japanese General Tadamichi Kuribayashi who lost the campaign at Iwo Jima during World War II. He refused to risk the life of his men in suicidal banzai attacks, but to fight defensively. Isn’t a suicidal attack what the Warrior Princess must do in the end? Suicidal missions have happened before in the series for Xena to clear away the wreckage of her past. The rush of adrenalin released in life threatening missions is the same substance that hooks bungee jumpers, ski divers and rally car drivers.
Gabrielle is not allowed to persuade Xena to remain alive, as Xena so many times has done for her.  Must her demise be the same as Akemi’s with confinement to the underworld ? Why is Akemi’s fate intertwined so much with Xena's?. Isn't it more with Gabrielle? Thank "The Fates" for fan fiction like“The Shipper:  7th Season”.

Lucy Lawless previously said that “Xena is not real”.  Perhaps not, but her character was made “real” through countless courageous and daring episodes affirmed by a dedicated following. Episodes speak to that devotee base. Most of us did NOT think this ending was believable. Xena deserved an honorable death, and was not given one: it was this Xena who was not “real”. Last year Lawless agreed: the ending not only hurt "the fans" but went against the grain of the episodes.

One final compelling question: in their adventures, Xena and Gabrielle have met historical figures such as Caesar, Homer, and Hippocrates. Why in heading towards the end of the season did Gabrielle not get to go to a play by Sappho on her birthday and meet her, but only get a piece of her poetry?
It is erroneously claimed that Sappho died for the love of a younger man by Greeks who are ashamed or threatened of the poet who loved women
(this kind of myth making is also at work in Xena in the episodes).  There have been legal battles to change the name of Lesbos to Mytilini, the capital city of the island where Sappho was born and ran a school for women, and for Greeks to have exclusive rights to the use of “Lesbian to designate "an inhabitant of Lesbos" ( Everyone on Lesbos is a "Lesbian").


Sappho should have been in the Xena series. And Gabrielle and Xena should have also experienced corporeal rather than only romantic love.As Sappho wrote, “Aphrodite crowned in gold, please let this piece of luck be mine”.
Sappho was a right on woman....



χενα lives....

2012-01-30

Xena Convention 2012 - Is it Still the "Final Journey"?


Xena Convention 2012 - Is it Still the "Final Journey"? 


Baby Eve at the Xena Convention 2012 : Costume Show.
Baby Eve at the Xena Convention 2012 : Costume Show.
© Moira Sullivan 2012

Xena Convention 2012 : The Final Journey - Verdict In.

Special to the San Francisco Examiner, January 29, 2012
By Moira Sullivan

Lucy Lawless: Xena Convention 2012, Burbank.
The final day for the final journey turned out to be the final day before the next “final” convention. After photo ops and autographs, a panel of "Amazons" commanded the stage to reminisce about the show:  Jennifer Sky and Sheeri Rappaport. Also scheduled was Tsianina Joelson (Varia) who was unable to attend because of her baby.
One of the events at a Xena convention one shouldn't miss is a play based on a time honored character, and performed by Michael Hurst and Jennifer Ward-Lealand - The Widow Twanky. Hurst portrays an elderly diva who has been married countless times and was once a dance teacher.  Hurst first performed the character on Hercules: The Legendary Journey.
The director of episodes of Xena: Warrior Princess and Hercules, Michael Levine, explained the differences in working with television in the US and New Zealand and some memorable scenes from the Xena series.
An homage to Kevin Smith (Ares) was a moving tribute made to the late New Zealand actor (1963-2002). Clips from previous conventions were shown where the actor sang covers by Elvis, Tom Jones, and Billy Idol. Trivia questions for the audience included which was the first weapon Ares  gave to Xena. According to the "Creation" emcee, the musical theatre episode of The Bitter Suite (12th episode of Season 3)on Xena set the stage for musicals on television programs such as Buffy the Vampire Slayer who owe their lineage to the episode. *[1] The tribute ended with a clip of Kevin Smith singing "In the Midnight Hour" from the 2000 convention in New York.

Last to command the stage for the weekend were the much anticipated Lucy Lawless and Renee O’Connor. O’Connor came out first and took questions from the audience from both sides of the stage. She shared personal stories about her new triumphs since the series – such as her son chosen to become a school safety ambassador out of 30 children at his school.

Renee O'Connor, Xena Convention 2012
Lucy Lawless sporting red hair for her latest character Lucretia in Spartacus proved to be more energetic than recent conventions and autographed a dog collar for a "working" canine, sang "Happy Birthday" to a fan, and read from Katherine Fugate's script from the previous day about the "really final" episode of Xena: Warrior Princess. As it goes, finally, Xena proposes to Gabrielle and throws her over with a big kiss. The audience exploded at a wish fulfillment that has always been more or less implied in the six season series by their two favorite heroines. Fugate is behind much of this subtext.
It is dificult to objectively report on the appearance of these two actors since for most in the audience, the real Lucy Lawless and Renee O'Connor are Xena and Gabrielle. Questions such as "would you ever do a drag king show?" put to Lawless were not in her personal orbit. There is a personal responsibility to fans that a star involuntarily inherits, since for many devotees, the line between fantasy and reality is blurred.  Sobbing attendees shared about their fathers or mothers who died, and how much the two meant to them in getting through various personal ordeals.
However, it is clear that "stars" are a part of the people who make them larger than life, and is a mutually beneficial relationship. Any contact with stars via photo ops, autographs, pictures or questions allows fans the opportunity to take a piece of themselves home. For many of these fans, Xena:Warrior Princess is a living legend with ample opportunities to revisit the actual series, enlarge upon them with fan fiction, meet with a community of devotees who attend conventions or engage in community forums such as The Xena Online Forum,  fan fiction about the series and AUXIP - Australian Xena Information Page.
Xena and Gabrielle live!

[1] Lyrics by Joseph LoDuca, Pamela Phillips Oland, Dennis Spiegel ; Musical Staging by Jeff Calhoun;Supervising Music Editor: Philip Tallman

Xena Convention 2012 - Is it Still the "Final Journey"?

Special to the San Francisco - Examiner, January 29, 2012
By Moira Sullivan, Film Industry Examiner (Reprinted).
Hudson Leick (Callisto) and fan who bought her dress.


Is it still the "Final Journey"? Well, it's clear that the 18th edition of the Xena: Warrior Princess Convention will live on, a full 12 years since the last episode wrapped in 2001. The turnout this year certainly seems to have surpassed the "sweet 16" convention.

These are some of the events for which the fans return year after year.
  • Though Lucy Lawless isn't always in attendance, Renee O'Connor is. She's gracious about signing photos and doing photo ops, and promises to wear different outfits for each of the day she attends. Saturday night she signed for the fans, and she was back on Sunday for photo ops.
  • The costume show. Most of the talent this year was young-showing the torch continues to be passed to a new generation. This year, "Poseidon" won the grand prize, a Xenite in an aqua blue painted body suit. Other awards went to two "Xenas" and two archangels from Brazil, representing Gabrielle and Xena. The traditional leather outfit with handmade ornaments went to Xena 1, and an intricately designed dress without plates went to Xena 2 --both Lucy Lawless lookalikes. What were the judges thinking? Ask Xena producer/writer Steven L. Sears and Jacqueline Kim - ("Lao Ma"). Kim said she was waiting for her character to show up in the contest. This year, among others, there was one Gabrielle, one Hope - her evil doppelgänger daughter, the "the three laughing Gabrielles" and a "transgender Gabrielle". One woman dressed as convention organizer Sharon Delaney, and Aries was there, some Amazons including the fallen one, Alti, one of the furies, Eve, baby Eve, the Swedish Vikings - (Gabrielle and Aphrodite), Callisto and a couple of Varias.
Brittany Powell
  • Brittany Powell's underwear auction. Powell has made a hit auctioning off her bras for charity. She told the audience that the "Xena Convention" charity events have raised over $12 million for special causes. This includes a charity breakfast held Sunday’s for Gold pass holders. This year her bra went for a total of $5600 to her charity - the Desi Geestman Foundation. This total was "from both sides of the room", according to "Xena Virgin", a  UK based Canadian Egyptologist turned Xenite. The bras actually go on tour to breast cancer foundations in the US and the UK, and to Lucy Lawless' favorite charity in New Zealand - the StarShip Foundation.Powell said that she was recently interviewed by William Shatner and she mentioned the fans of the Xena convention in particular for their amazing charitable work. It is clear why Powell believes that Xenites are some of the nicest and most generous people for these worthy causes. Powell later appeared on Saturday with Musetta Vander, "Ilainus" of "Amphipolis Under Siege". A surprise visit was made by Athena -  Paris Jefferson who favored "Ilainus" in her entire army.
  • The guests:
Saturday's lineup included some favorite guests. The scriptwriter responsible for the intriguing special narrative twirks of the series, Katherine Fugate, came to the stage with a play for a movie/episode of Xena, where in the end, Xena declares her wish to marry Gabrielle. Actress Claudia Black played Xena, and for a while it was Beverly D'Angelo as Gabrielle. When she gave up Fugate called out for another actress and Renee O'Connor showed up. Lucy Lawless and O'Connor revisited some of these lines on the final night of the convention, in the grand finale of the convention.
Also on the lineup on Saturday was the Korean-American actress who plays the venerated "Lao Ma", Jacqueline Kim. Kim started by asking where the guests came from - mostly north and south Americans, a handful of Europeans, and a few "others" from around the globe. In addition to reminiscing about her character, Kim also sang two songs from her album This I Heard and led a guided meditation.
"Lao Ma" was an empress who came from the ancient kingdom of Qing who gave Xena her title "warrior princess", so she is a very important character. One of the famous scenes with Xena and Lao Ma is called by fans the “underwater kissing scene”. Kim told the audience that the scene was difficult because Lucy Lawless had to be in cold water with chemicals for quite a bit of time for the shoot. The muggy water was better for the photography but not for what was required in the scene. Xena was to hide in the water from "Ming Tzu"(Grant McFarland), the evil guardian of her son "Ming T'ien" (Daniel Sing). To keep her alive, Lao Ma dipped into the water to give Xena some air. Kim revealed that Lawless told her put her head in the water and she would find her lips. The scene is revered for its subtext.
Lao Ma was responsible for changing Xena from the vengeful and dishonest warrior to the Xena who used her combat skills to fight evil. One of Lao Ma's wise sayings that helped to transform Xena was "fill yourself with desire and see only illusion. Empty yourself of desire and understand the great mystery of things".
Kim said that upon reflection, her character was a lonely woman who lived with a cruel husband and tyrant she hated. She kept him comatose but gave him the credit for all her good deeds. “What difference does it make who gets the credit if the deed is good”, she explains to Xena. She had a son who hated her too that later killed her (Ming Tien). But in the end despite the sadness of the skillful regent's life, Kim revealed that she wanted to be Lao Ma because she could fly.
Presently Jacqueline Kim works with her band, This I Heard.
Claire Stansfield (Alti) and Timothy Omudson (Eli) took turn putting hilarious questions to each other in Xena Actor's theater, both as themselves and their characters. They hoped that since their children went to the same pre-school that their off color bantering would stay in the convention hall.

The second day ended up with a mingle and cash bar for Gold Pass holders who will jostle for seat upgrades at “Xena 2013”, yes there will be one, on Sunday night.

2012-01-28

Xena Convention 2012: The Final Journey?



Xena Convention 2012: The Final Journey?


2012-01-27

Xena Convention 2012: The Final Journey?

Special to the San Francisco - Examiner.com
By Moira Sullivan
January 27, 2012

Touching down at Bob Hope Airport in Burbank today for what has been promoted to be the final Xena Convention, the premonition was that it might be more of a requiem than a celebration. Some "Xenites" in Xena:Warrior Princess forums revealed that they wouldn't come to the Final Journey, the 17th convention: it would be too painful. But even Cher has announced her retirement several times, and still is out there with a new world tour. So, though most of the guests at this convention today alluded to the end: Joxer (Ted Raimi), Callisto (Hudson Leick), and Livia/Eve (Adrienne Wilkinson), the fans know that a 2013 Convention is already planned to be held in Burbank next year, at their request.
After a survey conducted by the organizers of this convention, Creation Entertainment, almost 800 Xenites said they would be back, and pretty close to 0 said it was time to end.
The convention celebrates the Xena: Warrior Princess TV series from 1995-2001 starring Lucy Lawless as Xena, and Renee O'Connor as Gabrielle. There is still a strong, dedicated following and there seems to be no other show like it to date - a journey retold from classic tales from mythology, the fighting scenes in which women are fearless warriors, and above all, the relationship between Xena and Gabrielle: a couple who is subject for study at the now defunct "International Association of Xena Studies" - Whoosh.org, a forum that discusses the "context" and "subtext" of the series and which gets into the grit between the lines of the show. "When popular culture is not enough", is the motto of the scholarly forum, and its longevity? - like the conventions themselves:  "like a cockroach that never dies".
Steven Sears , a beloved writer behind several Xena shows, kicked off the 17th convention with his dog, preceded by a video in which the canine caught the coveted "Chakram", Xena's special weapon. He was followed by Adrienne Wilkinson who teased the audience by telling them that she had never gotten the question before about who she preferred as her TV persona, Xena's daughter: Livia, the maniacal warrior, or Eve, the reformed Livia who becomes a religious fanatic.
One favorite character for the fans of the TV show is Brutus, first of all because he tried to spare Gabrielle from being executed and because he stood up to Xena's enemy Caesar (Karl Urban). David Franklin plays Brutus and in one episode he stabs the Roman ruler on the ides of March. This weekend Franklin returned as cabaret artist and screened a bizarre and humourous personal avantgarde video of himself shot in black and white in an empty Xena conference arena. "Brutus" atoned for his visciousness in song and dance Friday night - to the "people he impaled".
Also present at the convention was editor Rob Field from the Xena show, a craftsman behind many of the innovations of the series that made it stand out from the crowd.
Next up was convention favorite - "Joxer" himself, Ted Raimi. The joker, the loyal friend, the bungling fool, the lovable though flawed warrior. Raimi said he enjoyed all the characters he played in Xena, and that "he was paid for all three". Singling out young people in the audience who weren't even born in 1995 when the show started, and remarking "holy shmoly" to a young woman decked out in a Xena costume she made herself, he was in awe, as other guests of the devoted crowd who still pays tribute to a TV show that ended nearly eight years ago, and was telecast for only six seasons.
One fan reminded Raimi that he didn't show up for his high school graduation that he invited him to, 15 years ago, and another undaunted young woman invited him to her upcoming college graduation.
"Joxer" told the fans that his favorite improvisation in the series was the "Joxer the Mighty" tune he wrote for one of the shows - "the dumbest thing I've ever done".
"Six seasons for a series is enough", said the the popular Xena star--"or else it turns into Bonanza". Raini was grateful that the show didn't recycle the series as other shows have to increase longevity.
"Atticus", the vine swinging ape (Joxer under a spell) in a ladies' nightie was the character he said he enjoyed the most, and was also the the role where he received the most injuries.
Currently Raimi is hosting his own show, and has produced a new TV series called Morbid Minute, where is both writer and director.
The showstopper for the day had to be Hudson Leick, Callisto, who not only held a yoga workshop in the morning but has one of the most riveting and racous relationships with the audience.
"What should we do now", she said, "play for an hour?" Which is exactly what Leick can do. "No one owns a toaster in my name", said the actress, "what a shame". Then she posed as a starship in a dress that she auctioned off for $1600 to a young woman who will wear it at her upcoming wedding.
A collage of pictures of past Xena conventions served as intermission to Leick's hour with the fans,  with many memorable snapshots of guests at previous conventions, some of whom will be here this weekend: Lucy Lawless, Xena herself, Renee O'Connor - Gabrielle, Brittney Powell - Brunhilda (who annually auctions off her bras at conventions), Musetta Vander - Ilainus, and Jacqueline Kim, Lao Ma, the ancient ruler of Qing who gave Xena the name "warrior princess". Also present will be Claire Stansfield , the evil enemy of the Amazons and Xena and Timothy Omundson - Eli, the prophet of love whose teachings signalled the end of the Greek gods.
The married couple Jennnifer Ward-Lealand (the warrior Boadicea) and director/actor Michael Hurst (Iolaus) entertained with brilliant musical theatre on Friday night with songs and readings from their current theatrical productions.
One other honored guest this weekend is the late New Zealand actor Kevin Smith (1963-2002) who played the Greek war god Ares in the series. Ares' frequent romantic entanglements include ones with both daughter and mother Livia and Xena. Smith will be honored in a special tribute during the convention. Jennifer Ward-Lealand and Michael Hurst dedicated two songs to him in their cabaret on Friday.
The convention features a host of vendors, including one touching exhibit of a woman who lost her partner of 35 years and who traveled to Burbank from Indiana with the many artifacts the couple collected over the years from previous conventions - which she gave away to the Xenites, asking only for voluntary donations to pay for the shipping of the items - photos, and mementos.
Lucy Lawless and Renee O'Connor, regarded as the quintessential guests of the Xena Convention, will close the convention on Sunday, and signing photos through the evening.

2011-09-30

Aline Tashjian: Lesbian Feminist Cinéaste from Paris

Tribute to Aline Tashjian:  Lesbian Feminist and Cineáste from Paris


Soft-spoken and articulate Aline Tashjian passed away in Paris on September 23 after a long illness.
She was an ardent supporter of lesbian feminism and feminist cinema through the years and regularly attended the Créteil Films de Femmes International Women's film festival and the Cineffable Lesbian Film Festival, both in Paris.These are ongoing festivals where women can meet each year and see images of women, made by women, and how women live in other countries. Festival goers also come to catch up with their own community. The festivals are the best places for political activism and social contact in an international atmosphere of solidarity for women.

Créteil, March 2011.


If you wanted to know the films that were worth seeing at these festivals, you could consult Aline's program and her selections. Wherever there was a choice between the petite or the grand salle, Aline was among the women that chose the most provocative films with the most potent themes. 






Créteil Films de Femmes, March 2011. Festival director Jackie Buet (right), 2011.


These choices included political films about oppression, strong portraits of women who have made important contributions to culture, global portraits of women and their conditions in the work force and films with an artistic content that combine intelligent narratives with good visual imagery.


Aline loved to travel with her life partner Manue and recently went on trips to China, Greece and to Armenia where part of her French family originates. Her concern about health and good nutrition made you always think of the importance of the quality of life.  She was a hard worker and yet she took time to fill her life with valuable activities such as meeting good friends, sharing meals with fresh food from organic farming collectives, and demonstrating for just causes in Paris. Just for fun, she loved watching crime scene TV programs in the evening with Manue, who shared with her a dedicated interest in the Créteil and Cineffable festivals.  


Fluent in English, Aline attended French university where she studied various subjects such as film and media. She worked full time in the IT aviation industry and was respected in her field.
It is hard to imagine a world without Aline Tashjian, for she was truly a remarkable person with respect and consideration for transformative ideas and the people she loved. She leaves her life partner Manue and a number of good friends in the French and international community. Her contributions to valuable discussions at Créteil and Cineffable were important. The quality of her life makes our experiences with her vital and memorable. 

I came to know Aline through the Paris film festivals in the late 90's. I was immediately struck by her sincerity, intelligence and compassion for lesbian feminism and global women issues, and the inherent connections to issues of economics, the environment and pacifism - and how these all translated to the film medium. Conversations with Aline were always engaging and thorough. She and Manue introduced me to some of the internal discussions in French feminism, which are otherwise difficult for a French non-native. During the festivals we had many wonderful times together. I am grateful for this long lasting friendship, which is one of the most important ones I have.



Aline's Quartier
Little China in Belleville, Paris.
Belleville, March 2011.
 
In a video portrait (click above) by "Toxic Lesbian" created by Elena Toxico only last year (August 2010), Aline speaks of the beginnings of the lesbian feminist movement and the case of psychiatric treatment of lesbians. She explains that her political involvement did not begin as a lesbian feminist but with the pacifist movement and anti-war protests of the Vietnam war.
"Toxic Lesbian emerged in 2005 as a pure artistic language to virtual and live action, creation and investigation processes, including all kind of collaborations. An essential concept of the proposals is to generate works that do not have a commercial format but ephemeral and easy to disseminate ones.  In this sense, all proposed projects strongly connected with art, are conceived like performances. Around them, video art productions are the link with the visual language that will generate documentaries about collective social interaction and other testimonies related to the project" (Toxic Lesbian).


Moira Sullivan
San Francisco, September 30, 2011.